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Lady Bird avoids the traditional pitfalls of the coming-of-age drama

The Oscars are less than a month away, but there are a handful of films from this year’s Best Picture lineup we haven’t covered on Film Club. So we’re catching up with these contenders in a few special-edition episodes. Today, A.V. Club film editor A.A. Dowd and staff critic Ignatiy Vishnevetsky discuss number two on…

Get Outs Oscar nominations were a welcome surprise from the stodgy Academy

The Oscars are less than a month away, but there are a handful of films from this year’s Best Picture lineup we haven’t covered on Film Club. So we’re catching up with these contenders in a few special-edition episodes. Today, A.V. Club film editor A.A. Dowd and staff critic Ignatiy Vishnevetsky discuss one of last…

Black Panther is one of Marvel's best and most dramatically complex movies

A.V. Club film editor A.A. Dowd and staff critic Ignatiy Vishnevetsky return to discuss the latest—and one of the greatest—from Marvel Studios, Black Panther. Directed by Creed and Fruitvale Station’s Ryan Coogler, Black Panther veers from the template established by Marvel’s previous 18 films by introducing a…

Are the detractors right about Three Billboards Outside Ebbing, Missouri?

The Oscars are less than a month away, but there are a handful of films from this year’s Best Picture lineup we haven’t covered on Film Club. So we’re catching up with these contenders in a few special-edition episodes. Today, A.V. Club film editor A.A. Dowd and staff critic Ignatiy Vishnevetsky argue the merits of

The Academy’s taste may be improving, but it still finds room for Oscar bait like Darkest Hour

The Oscars are less than a month away, but there are a handful of films from this year’s Best Picture lineup we haven’t covered on Film Club. So we’re catching up with these contenders in a few special-edition episodes. First up, A.V. Club film editor A.A. Dowd and staff critic Ignatiy Vishnevetsky discuss Darkest Hour

Clint Eastwood directing military men with no acting experience goes about as well as expected

A.V. Club film editor A.A. Dowd and staff critic Ignatiy Vishnevetsky are kicking off a new season of Film Club by discussing Clint Eastwood’s The 15:17 To Paris, the latest film in the director’s recent streak of biographical thrillers, following Sully and American Sniper. Like those films, 15:17 explores real-life…

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The director of Pulse leads an invasion of the body snatchers in the goofy-creepy Before We Vanish

One of Japan’s premier gooseflesh provokers, Kiyoshi Kurosawa made an international name for himself in horror, specifically with 2001’s technophobic, ghost-in-the-machine creepfest Pulse. But he’s no genre monogamist; the director has applied his command of unnerving atmosphere—that ability to get skin crawling with…

Black Panther takes on Christian Grey, plus 17 other movies coming this February

So many movies, so little time. Every week brings a new crop of them, opening in multiplexes and arthouse theaters across the nation, and arriving in increasingly high volumes on streaming platforms like Netflix. How’s a voracious moviegoer to keep up? That’s where The A.V. Club comes in. The first week of every