The Fantastic Four are the heart of Marvel in many ways for me, along with Spidey and Cap. Having them back in their rightful place means a lot.

Using Spiderman may have seemed organic unless he’s off on a class trip to Europe fighting Mysterio or is keeping a low profile because he’s been doxxed.  

I mean you could easily hand wave other heroes not showing up as they are busy doing their own shit. The entire universe just got unfucked and is ripe for exploiting, I assume villains wouldn’t just watch the news and say “wait, wait hold up, this one group is doing stuff, we need to wait our turn.”

Making a pilot with Ed Burns, Michael Imperioli and Michael Rappaport is a second shot. 

I despise big pharma corporations and I get my second dose next week because I'm capable of walking and chewing gum at the same time. 

Buddy you are picking the worst fight at the WORST time for the WORST stakes

Also, getting a pilot greenlit, funded and filmed *was* a second shot. He just blew it. 

Mayim Bialik is at the very least an anti-vaxx sympathizer so she can go right to hell too.

I sorted the comments by “popular” and this one has the most likes. Why isn’t it at the top where it belongs? It’s all the PC woke crowd’s fault. (It’s actually Kinja’s fault.)

They would never come at ‘Sunny’ because of the implication.

I thought of the Citizen Kane comparison too, but it makes me uncomfortable. I saw the discussion here the other day comparing Citizen Kane and whatever one of the superhero movies vis-a-vis Rotten Tomatoes numbers and I thought, “man, how stupid, to slag Citizen Kane like this.”

When Entourage first came on I, in my naivety, truly though it was a satire only to slowly realize it wasn’t. 

This is my problem with all the backlash-to-woke whining you see so often these days. It’s not like good points don’t get made, and I’ve got enough problems with woke Twitter myself, but most of the time it masks a much deeper feeling of entitlement which just seems like the result of being too rich and too famous for…

Too soon! 

I missed The Sopranos at the time, then didn’t get around to watching it for quite a few years.  When I finally sat down, “time to watch this all-time great show that I’ve never seen a moment of, what a treat,” I couldn’t believe how underwhelmed I was.  I didn’t bother watching all the way through.  I think maybe I…

I always wonder how these people square their worldview with the fact that It’s Always Sunny in Philadelphia has run 15 years and counting.

Sure. Black people, Queer people, Asian people, women, and anybody who’s not a straight cis white man has to litigate their case for a production meeting every single time even if they have 5 awards under their belt and box office receipts to boot. But this guy has one successful HBO show and that *entitles him* to…

“I did a pilot with Michael Imperioli, Michael Rappaport and Ed Burns that [HBO] passed on, which I’ll never forgive them for,” he said. “Whether they thought it was good or not, I earned my chance to have a second shot, and they put some other pretty crappy shows on [instead].”

“I don’t think Entourage was this vulgar boy-fest that people like to paint it as now.”

“Whether they thought it was good or not, I earned my chance to have a second shot”

Uh, what?  “I earned the right to put a bad show on TV” is a heck of a take.