Kind of, but the big difference is that you’re not invincible while doing the melee kills, so you can only employ them practically in one-on-one situations.

Its a particularly ridiculous thing to say without stating a “why”. Pretty Brietbart-grade analysis.

Had a male writer at any other site/news outlet made that comment about Clinton, this site would have posted a lengthy article calling said comment sexist bullshit.

Release the balloons!
With his mention on a TV show that the TV Club reviews and that’s a pop culture hit, the AV Club finally gets its long-awaited opportunity to comment on Trump.

I played Wolfenstein—primarily a stealth game supplemented by run and gun—then DOOM. DOOM basically perfected run and gun - I REALLY hope that Bethesda imported the mid-gunfight melee kill system from DOOM into this Wolfenstein via the hatchet.

It’s a bit of a weird feel for me, because the last FPS I played heavily was Doom, and anything is going to feel a little sluggish in comparison to that. But, yeah: If you’re not moving in this, you’re probably in trouble.

It’s very loud, and very aggressive. I plan on writing in my next installment about how there’s some real artistic merit to the kind of narrative whiplash these games pull off by going at everything at this raised pitch, but I can definitely see how it would be exhausting.

As to the combat, all that I can say is it…

I mean, I’m sure there’s all kinds of dirt on Jack Warner as well, but that doesn’t mean the Warner Brothers logo should be removed from everything he produced.

I was pleasantly surprised by her performance in The Babysitter. Although to be fair she was really playing to type in that role.

The Amityville Annoyance

Isn’t the scaring away future owners bit just cribbed from the ending of Beetlejuice?

Probably didn’t help that Conjuring 2 turned out to be an Amityville movie as well, and actually got that 2016 release?

It is interesting that every iteration of the story puts the house (which is suddenly enormous) onto palatial plots of land instead of a regular suburban street.

Universal darkened their logo before Tod Browning’s Freaks because they were ashamed of the work. Compared to that, this is proportionate.

In my controversial opinion, the ultimate “evil haunted house” is the first season of America Horror Story.

I wouldn’t call it the dumbest franchise while we have Evil Bong, Gingerdead Man, I Know What You Did Last Summer, Troll, Children of the Corn, Leprechaun, etc. It might be the most prolific though.

So there’s a documentary about the after affects of both the story and the surrounding mythology that sprung up (I guess you’d call it? maybe proto-reality star culture is more accurate) called “My Amityville Horror” that I remember being interesting.

I still can’t get past the fact that this ALL began when a piece of shit 23-year-old murdered his family 43 years ago.

the long-delayed 18th (!) film

“For some reason, everyone, Belle included, blames Belle for this violation of trust, a slut-shaming, victim-blaming premise that feels out of touch with the current cultural climate.”