It's like when the Silver Surfer said, "All that you know…is at an end." And that turned out to be so not true!

Now I'm really confused, because I don't really listen to a lot of pop music myself, but when my wife or daughter listen to Top 40 in the car, Chainsmokers are among the few acts that don't make me want to change the station immediately. And even if I didn't like them, I've long since outgrown the practice of…

"Mr. Henry James writes fiction as if it were a painful duty." — Oscar Wilde

This man's filmography defined my adolescence and adulthood. Now I wonder whether there is another cinematographer whose work I have seen more. R.I.P.

I really love the "disintegration" effects in Blade II. They were obviously similar to those in Blade, but somehow improved and more cool to look at. I think the effect was very well-realized, which was a good thing because they had to use it a lot. I never got tired of seeing a vamp turn into sparks and ash after…

I had an Odyssey 2, too! Of course, I had asked for an Atari 2600, and I had to appear happy when I unwrapped the Odyssey. But I later went on to have a lot of fun with that console.

The greatest trick D'Angelo ever pulled was convincing people who thought "If you think tracking shots are good, you don't get cinema" was his argument, was not really his argument.

Agreed, this is one of the most amazing true-life stories I've ever heard. Tragedy begets tragedy.

There was a Lafayette project commissioned by a major studio, with Vincent Cassel attached for the lead. The screenplay was done, but the production was not greenlit.

I thought the plot seemed familiar compared to a film that I had seen on Netflix some time ago. Or it could be that I just happened to see a different indie film with a similar plot and setting (girls school before vacation).

So Gary Austin was already out of the picture when I started attending Groundlings shows in the early 1980's. But wow, what a powerhouse he created.

I like to keep this handy…for close encounters for discussions about the intersection of anime and cultural representation:

Too many reasons to list here, but it boils down to the core theme of MEN doing MEN stuff, and there are only boys in the family, and here are the things MEN like to do, and MEN act this way, and MEN, MEN, MEN… Jesus, even gay men are not this into men.

Do you happen to know if she sold that script to Gregg Araki?

GEORGE: I think I can sum up the game for you with one word: EVERYTHING.

There are some video games that have done this, but the only one that comes to mind (because I just finished the campaign) is COD: Infinite Warfare. I think it helped give the story that extra bit of impact.

I only just learned that Jack Parsons' lover Sara was his wife's teenage sister. Sara was living at their house for a time, and she and Jack began their affair when Jack's wife was out of town.

Fair enough, but his motivation there was ending the curse — callous and selfish, but understandable.

I think The Little Mermaid certainly had a smaller budget, which was apparent when you compare its production values to later films. Disney was just dipping its toe back into the water (ha!) with animated musicals, and they were wary of a potential flop.

I guess you could just watch Little Women for that.