ALSO, THOUGH OTHER COMMENTERS HAVE STATED THIS FAR MORE ELOQUENTLY THAN I . . .

WITH ALL DUE RESPECT TO YOUR EDITORS, THAT'S THE STUPIDEST THING I EVER HEARD. I CONSIDER ANY ARTICLE IN WHICH THERE IS NOT A VANDERWERFF BREAKDOWN TO BE KIND OF A WASTE OF MY TIME.

I THINK MORE RANTING AND DIALOGUE WITH THE REVIEWER'S WIFE AND/OR IMAGINARY COMMENTERS WOULD DRIVE TRAFFIC TO THE REVIEWS. ALSO EPIC SIMILES AND SLASH FAN-FIC INVOLVING TENTACLES.

HER AFFECT AND POSTURE CONVEY AN INTENSE AND LUMINOUS SUBJECTIVITY, AND HER FACIAL FEATURES AND EXPRESSION ARE REMINISCENT OF THE PSYCHOLOGICALLY COMPLEX PORTRAITS OF VERMEER.

AGAIN, YOUR FUCKING PRIMARY RHETORICAL WEAPON IS NAME-CALLING, OR, CLASSICALLY, ARGUMENTUM AD HOMINEM. IF YOU FOCUS ON CALLING THE PERSON YOU'RE ARGUING WITH "RENT BOY" OR "HACK" OR "PSYCHOLOGICALLY FUCKED-UP," MAYBE WE WON'T NOTICE THAT YOU AREN'T ADDRESSING THEIR ARGUMENTS AT ALL.

HERE'S THE LINK

AND LIKE SO MY FANTASY IS THAT CHUCK LORRE'S PRODUCTION COMPANY TAKES THE FIRST 58 WORDS OF YOUR POST AND USES IT AS A PULL QUOTE. BECAUSE THAT EVALUATION MAKES ME LIKE THE SHOW A LITTLE BIT BETTER ALREADY.

CLEARLY, MARLA, YOU AREN'T AWARE THAT "TWO AND A HALF MEN" HAS BEEN CALLED "ONE OF THE MOST SEX-POSITIVE, QUEER-FRIENDLY SHOWS ON TELEVISION." KINDLY TAKE YOUR FUCKING HOMOPHOBIA AND TUMBLR-LEVEL LOGIC AND KNEE-JERK NAME CALLING AND GARBLED SYNTAX AND FUCK THE FUCK OFF. I HEAR RUSH LIMBAUGH IS LOSING FANS - I THINK…

FUCKING UMLAUTS. HOW DO THEY WORK?

I READ SOMEWHERE THAT "TWO AND A HALF MEN" HAD BECOME THE MOST GAY-FRIENDLY SHOW ON NETWORK TELEVISION IN THIS PAST SEASON. WHICH A) KIND OF NICE IF IT'S TRUE; B) STILL NOT FUCKING GOING TO START WATCHING IT; C) I KEEP GETTING DISTRACTED FROM WATCHING "MOM" AND ONLY ENDED UP WATCHING FIVE OR SO MINUTES OF IT TONIGHT -…

THAT'S BECAUSE KUBLER-ROSS DIED BEFORE SHE COULD READ THIS COMMENT THREAD.

YEAH, THAT GOT MY ATTENTION TOO.

I HATE THAT ENDING AND THEY WILL NEVER DO THAT. THOSE BITCH-ASS MOTHERFUCKERS THOMAS AND BAYS.

SHIT MOTHERFUCKERS. SADDEST ENDGAME FOR A SITCOM EVER?

SHIT, BITCHES, I'VE HATED MY SHARE OF FUCKING GLEN MORGAN SCRIPTS. I MEAN I WOULDN'T QUITE SAY THAT SPACE ABOVE AND BEYOND IS A STEAMING TURD, BUT . . .

LUCY: ELDAN, CAN I MEET DAWES AFTER THEY PLAY AT THE CLUB? YOU KNOW I LOVE THEIR LAUREL CANYON SOUND.

I NEVER REALLY UNDERSTOOD THE VIEWERS WHO COULDN'T STOP SHITTING THEMSELVES OVER THE ROSS AND RACHEL STORYLINE, AND WHEN MY BROTHER TOLD ME "I'M THE CHANDLER OF MY GROUP OF FRIENDS," IT MADE ME SO DEPRESSED I COULDN'T EVEN TELL HIM TO GO FUCK HIMSELF.

I MIGHT START WATCHING THIS ON THE OFF CHANCE THAT DARIN MORGAN WILL WRITE AN EPISODE.

MOST DISAPPOINTING TASTE TEST EVER. I JUDGE THIS PIQUANT, WITH UNDERTONES OF BARELY RESTRAINED VOMIT, NOTES OF ARTIFICIALITY AND DESPERATION, AND A FINISH THAT BLENDS PINE, CITRUS, AND REMORSE.

UPON REFLECTION, I'M WONDERING IF PARTS OF THE CHANG STORYLINE MIGHT BE META. HE'S HAVING THIS INTENSE EMOTIONAL CONVERSATION ON THE PHONE, FLOODED WITH ANGER AND REMORSE AND NEED, AND THEN ALL OF A SUDDEN THERE'S AN AUDIENCE THAT'S APPLAUDING HIM?