turbotastic
Turbotastic
turbotastic

This has been the sincere attitude of every New Yorker I’ve ever met.

Why are the Imperfects in this game at all? Why would EA pay for the Marvel license and then instead of filling the roster with classic heroes, make half the game’s lineup a bunch of OC’s that no one cared about?

The politics don’t help, but people aren’t stupid; they know a miscasting when they see one. Chris Pratt is good at playing one type of character: a naive, overly enthusiastic himbo. That’s not Mario. That’s certainly not Garfield. The problem here isn’t Pratt’s politics, it’s that he’s grabbing up acting roles that

I think West Side Story had three things working against it:

Here we see the rare convergence of two species of internet douchebag: The Boring Guy Who Doesn’t Want Anyone Else to Have Fun, and the Guy Who Insists He Doesn’t Care About the Thing He Just Wrote A Whole Post About.

Well of course the hotel is going to be unpopular if it’s only the size of a Virtual Boy.

You don’t have to comment on every article that comes out, either.

I remember being so pleasantly surprised when I first heard the Japanese voice for the narrator. At this point I had been watching the dub for a while and had just assumed the voices mapped to each other. But whereas the American narrator sounded like a pro wrestling commentator, getting viewers hyped up for the

I wouldn’t call doing remakes of already popular franchises an example of getting out of Hollywood’s comfort zone.


If someone watched an episode of a show, then they considered it. They’re under no obligation to watch more if they don’t enjoy it.

Part of why this argument never holds water for me is because we never see it applied to any OTHER superhero with nearly as much regularity. Thor is more powerful than Superman, but there’s no Tyrant Thor story where he decides to rule over the puny mortals. There’s no Tyrant Wonder Woman story even though she’s

They could have swapped it out with Falcon and the Winter Soldier, which I think would have worked better as a movie.

This was my favorite MCU film since Black Panther, just because it had a different vibe to it. Less quippy banter, a moral dilemma which actually feels earned instead of forced, heroic characters who truly feel the awful burden of their responsibility, and possibly the most sensitive and intelligent portrayal of a

It’s been said before but it always is worth repeating: If unions didn’t work, employers would not care if you joined them.

For those who don’t know, here is the list:

Weebs had nothing to do with killing this show. 99% of Netflix’s viewers have no idea there was an internet backlash to this show at all. What killed it was that no one watched it to the end. The first one or two episodes had very high viewership, but then the numbers dropped off sharply, with most viewers not

In Japan, Bebop had some trouble getting noticed at first. When it first aired, the network aired only five episodes (not even in the correct order) and then cancelled it; not because of ratings (which were decent) because they thought it was too violent. A year later another network picked it up and aired all the

Netflix kind of shot themselves in the foot by adding the original Bebop just before the remake. Given how quickly viewership numbers dropped off, tons of people apparently watched the first episode, thought to themselves “what if someone made this same show, but it was actually good? Oh wait, that already happened

I’d love to know the name of the Netflix exec who is obsessed with making cheap-ass live action remakes of classic anime. Because so far, every single one of their attempts has been an embarrassment.