Witt was just too good, he didn’t really want to shoot Roy or anybody.  As soon as the guy who won’t put the knife down starts talking about his destiny, you shoot him. 

I mean, that’s pretty much what our days were after school in the 80s.  Figure Munch was a latch key kid that didn’t have any friends to come over because of that stupid haircut his mom gave him.

Hell that fanta bottle was possibly the funniest moment of any season. I know I’ve been surprised by this show before, but I don’t recall ever actually laughing out loud, but that scene (and the entire scene in their house) was such an incredible mix of terror and comedy...I’m not sure I’ve ever seen something like…

All I could think was “Why wasn’t he wearing a vest?”

Every Fargo season so far (I haven’t watched S4, admittedly) contains a reference to either the film or a previous season; This one is absolutely self-contained. 

It also, and I’m probably not making too much of a leap here, shows what Hawley thinks will happen at the end of 2024. The man who doesn’t believe in any laws beyond themselves goes down and won’t come back and life will continue, with problems and struggles like it always has, but nothing insurmountable.

Meh, he spent 100 years totally alone, speaking to nobody. He’d be fine.

A man opens a biscuits shop.

Came here to note the parallel with No Country for Old Men, so I was glad you’d already made it — a killer, long after the violence is seemingly over, returns to kill a woman because of a warped code that commits him to doing the things he’s said he’ll do. And Carla Jean did basically make the same argument Dot made,…

I actually am prone to punch a table that I stub my toe on. People, never, but a table, yes.

I liked Dot telling Munch: “That’d be like getting mad at the table you stub your toe on.” Because it was very much a “Munch-ism.” I immediately thought of the line Munch told to Gator earlier in the season about how “you don’t yell at the boulder for being a rock.”

That wasn’t what I was expecting at all, and I loved it.

That last scene was an amazing mixture of comedy, heart, and terror. Wayne clanking what looks like a fanta bottle into Oles fanta was maybe the funniest moment of the season.

nothing is more metal than Danish Grave’s eyepatch!

Roy ignoring his unconscious wife and walking away from his “useless” son juxtaposed with Lorraine acknowledging Dot is family and will be protected.  Both of them completely opposite to their public personas, but still pretty much both of them what we knew they were all along.

The super-rich aren’t interested in politics. They’ll vote for whomever they think is better for their pocketbooks. 

I felt Danish’s actions last week were more based on him not fully comprehending that Roy is a brutal psycho.

Danish always came across as a bit cocky and overconfident. Which would make sense if he’s spent his career strongarming Lorraine’s opponents (presumably with a very good success rate). I didn’t find it hard to believe that he would go to Roy after being told by Witt that Dorothy was in immediate danger.

Ole Munch ought to work for Lorraine Lyons since he has a passion for debt collection.

I feel your pain. It felt so obvious though, it had to be intentional. The lever being the first clue, then the clunk of the rifle hitting the wood, the overhead shot showing the rifle and well, then Dot looking back with the gun in sight. It’s like she knew this was a bad idea but had already committed to the hiding…