What’s he going to do now that he doesn’t have a dad to repeatedly murder?

If we don’t get at least SEVEN BOARD MEETINGS this season, I swear to lower case christ I will lose my complete shit.

If Ward doesn’t feature prominently in season 2 I may well skip it. Him being fed up with things and just saying “FINE GOD WHATEVER” every time his dad proposed some insane scheme is the best.

It’s Tom Pelphrey’s  birthday today! HAPPY BIRTHDAY WARD YOU PILL POPPING BUSINESS GUY! Love you!

He’s FED UP and he’s LOSING HIS SHIT, ok?

Look, the real question we should all be asking is, where’s Ward?

I bet they won’t bring Bushmaster back in any real way. Seems like they’re getting rid of everyone interesting so Luke can shine...lol.

While I was sad to see Shades and Theo Rossi exit the show, I did think it was the perfect for the character. There was no epic shootout, no grand speeches, no final confrontations. Instead he got busted for playing the game, with one of his plans falling true, and him just accepting it with a smirk as he was led away.

I gotta restate that Luke didn’t really have an arc this season or any solidly defined principles, for that matter, that would justify where this season takes him. Luke’s rise to being the new Stokes in town doesn’t work because this doesn’t feel like the culmination or nadir of a plot - it’s just something that…

I wouldn’t be surprised if Ali did know and that Tilda proved such a non-factor that it wasn’t even worth mentioning. I get a sense that the show will try to make her the Catwoman to Luke’s Batman, but both actors are so devoid of charisma and talent, on top of her character being so poorly drawn, that it’s going to…

This season eliminated every tie to Harlem’s past - which was one of the most interesting parts of the show - in order to recenter everything around corny Luke and bring in Italian mobsters. They can really just end this and spin-off to Heroes for Hire and Daughters of the Dragon. Harlem as we knew it is dead.…

It seems like film adaptations of stage horror just don’t work—good theatre uses the physical space of the stage and the house in ways a movie can’t do. The Woman in Black is another example. In a theatre, it’s genuinely bone-chilling; the movie version was a straightforward haunted house story.

This! Even just a tiny bit of cilantro leaf will ruin a meal for me. And it so often isn’t called out on a menu. I’ll send something back because cilantro wasn’t mentioned on a menu and my meal is covered in it. It’s a polarizing ingredient that a good half of the population dislikes. Why can’t restaurants recognize…

I’m so glad someone else puts I Go To the Zoo at the top.

Let’s Have Intercourse is also one of my favs (but from last season before the wedding?)

I’ve played a gnome illusionist for more than a decade now, in an urban detective campaign (set in Ptolus, which is perfect for such things). Illusionists, at least through 3E/Pathfinder, are the epitome of “let me improv my answers to all the problems.”

I love it, although it requires a DM with a sense of humor and…

This.

I’m appalled that no one put Nathaniel and White Josh in a storyline together before this point - they were born to be judgey, whey-obsessed best friends.

I really wanted White Josh and Nathaniel’s arc in this episode to end with them platonically comfort-spooning each other all night after the bar.

I know this has very little to do with the episode, but...

I laughed when Micro actually pulled off squibs from their hostage exchange.