Any universe with Paul Rudd is automatically a brighter, better universe.

The part at the end of Dark Nights when Plastic Man wakes up and turns into three sharks, two dinosaurs (one with a baseball bat), a hammer, an octopus, a jigsaw, and a rock crusher all at the same time and mows everything down is one of the most insanely comic-book-ass things ever.

This movie could never compare, but…

I really wished they’d dropped FLUDD and added Cappy for Mario. I never liked FLUDD’s addition and I bet there could be some great mechanics with Cappy.

Link being the BotW version is great, though, and his Classic mode is so good.

To Spectre’s credit, it made the Khan reveal in Star Trek: Into Darkness seem marginally less stupid.

I’m good without it. Her character felt like it was supposed to have the same sort of role and gravitas as Tracy Bond, but Seydoux is no Diana Rigg.

I’ve said it every day since the movie came out while looking into a mirror having a mental breakdown that Monica Bellucci should’ve been the primary Bond Girl of Spectre.

Well, Vayntrub is still Squirrel Girl, but in Marvel Rising.

Yeah, I’d be interested to know Cecilia’s opinion of Melee’s story mode, which I loved and World of Light seems pretty similar to, but I get the impression from her opinion here that maybe she wouldn’t have liked that either.

So it’s already making the world better!

It’s amazing how little I am surprised that you also hate Last Jedi at the end of that incredibly dumb rant.

If I’ve said it once, I’ve said about three times now I think:

CBS All Access is the only reason we’re getting this show in the first place. CBS would never, ever greenlight this for actual network broadcast. They wouldn’t even consider it. But Discovery was so wildly successful for pushing All Access that it suddenly…

WHAT’S UP JERKS!

One of the most remarkable things about this show to me is that Amy Sherman-Palladino can really write good stand-up. No one who isn’t a stand-up writes good stand-up. Hell, even they often write shitty material when forced to do it in a script. But Midge’s material pops and Brosnahan delivers it with such conviction…

I don’t know. How much effort did you just put into being offended by a year old comment on an an article about a 10 year old TV show?

Man, I wish these Fantastic Beasts movies had been books. I thought no less than three times during Grindelwald “I bet this would make more sense if I had read the book.” Also, I wouldn’t have to look at Johnny Depp.

Yeah, Saffron is a perfectly cromulent, if a little bit stripper-y, name.

Facebook is the Home Office.

It’s also not the metaphor as presented in the books. I mean, it’s part of it, but a lot of it revolves around Scott coming to realize he’s not necessarily fighting his relationship with Ramona’s past exes or that they’re fighting to get her back, he’s fighting her emotional baggage from her previous relationships…

The reference-heavyness is comparable, but it’s definitely a case where the “I know what that is!” references are the actual plot of RPO and the references are just aesthetics in Scott Pilgrim (or even metaphorical for how Scott refuses to grow up and continues to live in a world colored by video games)

Yeah, there’s no failure in the W’s execution of what they were trying to do. It was supposed to be a non-stop technicolor rollercoaster vomit crazy ride. Now if you don’t think what they were going for is good, that’s another thing altogether, but they didn’t fail at their goal.

Cera is really the problem here. I have nothing against the dude, but the characterization of Scott in the comics doesn’t really mesh with Cera’s general sadsack thing. Scott isn’t a sadsack. He’s completely oblivious to how much he sucks and confident as hell that he doesn’t. He still thinks he’s as awesome as he was…