statherian20
Statherian
statherian20

I thought she was quite good in Suspiria, which is not modern and required a fair bit of interiority. On the other hand, she was playing a ballerina and she had been a dancer IRL so maybe that’s not a great defense of her talent.

“ the most morally bankrupt place on the planet filled with the most morally bankrupt people in the world.”

And they all say, "Sir, thank you"

Yep, she was in line right behind the big huge manly men who weep giant manly tears because Trump saved America.

It’s so funny to me when I see conservatives online talk about how New York is such a shithole and you can’t walk down the street without tripping over used neeedles or getting mugged and it’s like... you know this city wouldn’t be so wildly expensive to live in and be one of the largest tourist destinations in the

Whenever I see a story like this I’m just so grateful I managed to quit driving. 

I read somewhere that you didn’t want to start the DLC in a New Game+. Which was mildly annoying cause I basically started NG+ and then put the game down.

GIMME FOO GIMME FAI GIMME DABAJABAZA

The bit where he examined the list of ingredients of a box of Mac & Cheese was a great showcase of Stewart’s talents. The joke itself was just alright but his performance elevated it to something that had me laughing out loud.

I think it’s a balance. Yes, the act of adaptation requires change, for practical reasons if nothing else; a film or a TV show works differently than a book. But the concept should still be honoured, or else why bother adapting it? If the creator wants to “make the story their own” why not ... make their own story?

The Crow, Judgment Night, and Spawn are "90s alt soundtrack" all-star. And The Crow is the only one of the movies attached to those soundtracks that's worth watching.

I’m quite tempted by this. I really didn’t know much about Springsteen (beyond Born to Run and a 7" promo Atlantic City that my sister had for some reason) when BITUSA came out. I didn’t really get into it, but did find Darkness on the Edge of Town in my brother’s record collection which I found a bit disappointing.

I think there’s also the point that Springsteen—or Born in the USA—didn’t fit in anywhere. I was 13 or 14 when it came out and most boys my age were stuck on Led Zep or Pink Floyd and the whole AOR Rock Radio thing or were just getting into hair metal. Springsteen has always been kind of an anomaly. Is this a guitar

I was going to make a comment on Switzerland winning, but I’ve decided to remain neutral.

I’m sorry, but what makes his take “edgelord”? Are all atheist takes edgelord?

I love that this article is all pearl clutching over the idea of this lawsuit but it seems pretty legitimate:

I think de Armas is a good actor. She’s the best part of ‘No Time to Die’.

Yeah, and at this point I’ll take depth of research and preparedness over a quick back and forth. I learn a dozen new things about every person he interviews, and I get to see a normally poised and camera-ready celebrity’s panic response. If the trade-off for that is that the banter doesn’t seem quite as natural

I’d trust the guests more than our own opinions on Sean. Every single one of them seems to love Sean’s interview style - which they confirm all the time, and would have strong opinions on given the number of interviews they sit through.

I’d also have Seeds near the top - I could never understand how that didn’t make it onto a studio album.