"Deep Murder, about denizens of the porn world who start to develop beyond their stereotypes once a serial killer is in their midst."
"Deep Murder, about denizens of the porn world who start to develop beyond their stereotypes once a serial killer is in their midst."
If men are actually being allowed in to the 'women only' screening, then I have no problem with it whatsoever. The label, however, could be less confrontational and misleading if that is indeed the case.
I think you're projecting a lot of stuff onto me that I don't agree with. As I've already stated: I think the outrage here is excessive and there is ultimately no great offense here, it is just misguided good intention. I agree with your conclusions relating to why certain people are up in arms about it, and it's…
Bro's Night Out? No, I doubt it.
A showing of The Expendables where no women are allowed? That is equally offensive to me. Maybe there wouldn't be as much outrage surrounding it, but again, I think the outrage on this issue is excessive.
These screenings shouldn't be so outrageous and this lawsuit is absurd.
Maybe he's just swapping places with Glenn Howerton on Always Sunny…
Things like this are the reason I respect TJ Miller so much (as opposed to his comedy, which I just appreciate because it makes me laugh). He treats life like a performance, seeking moments of subversion and innovation and following his inspirations. It can lead in some obnoxious directions, and some questionable ones…
We also don't have prior examples of popular entertainers holding up the severed head of the sitting president. Trump is doing terrible things and Kathy has every right to do what she did, and the various places that employ(ed) her have every right to not do so anymore in response. Call me naive, but I don't think the…
Wait…
I hear they hired Robert Downey Jr. to play multiple roles, and then paid to digitally erase him from the film in post, just for the fuck of it.
There's a lot of quality stuff in the second and third films, and although they're bloated when the fun portions start up they're a blast.
Because the well-behaved users on this site welcome a place to gather and make sense of these things.
Precisely. Nothing frustrates me more than art that was made without inherent purpose. It is seen in film and television far too often: Ostensibly the project has a purpose in making money and employing artists, but the art itself? It regularly has no deeper purpose whatsoever. The ironic truth about Lynch is that,…
I can't think of any role more appropriate for Johnny Depp to star in than one that makes him completely invisible.
Last point first: Reinvention doesn't mean it changes everything. I think Lynch presented a different way of doing things here. If anybody wants to pick up that torch they can, but odds are nobody can carry it quite the same way he does. This will certainly influence future artists either way.
My feeling about the abundance of supernatural horror at first is that they're setting up the mystery. That could continue throughout the rest of the season and I would not be surprised, but right now it feels more like an establishing statement to disorient the viewer before settling them back in to the uneasy world…
As of now I've only seen the first part, but wow… It's stuck in my mind unlike any other media experience I can think of in recent years. Quite simply, I forgot that film or television could make me feel this way. Regardless of where this goes, what gets explained, or how it is received… I am thankful. I just want to…
To put it in context: Inland Empire (which I love) is one of the most grueling film experiences I can personally recall. It is one hour shorter than the amount of Twin Peaks we got today, which was produced to be like one long film, the total breadth of which we have not even seen 1/4 of yet.
The ghost looked the way it was supposed to look. It may be possible that they didn't have the budget to fully animate some beast, ala Conjuring 2. But that is beside the point. The ghost looked the way it was supposed to look. Bold, splashed in front of the camera so that you can't look away from it, clearly…
Lynch works in the same sort of space as the Coen brothers when it comes to characters and settings. They realize that true honest presentation of a situation, especially vicariously as a viewer and not a participant, will often be awkward and amusing. Life is silly. We not only get that as an audience, we appreciate…