Forgot to mention all the people who blame Jezebel for what happened due to the continuous dumping on Clinton throughout 2016

I get that too- there’s way too many famous people in this movie for it to be good. Especially when a lot of them aren’t known for their comedic chops. 

Don’t worry, people only want to do six episode mini series on Netflix or Crackle now

What about if it streamed only on Facebook?

I kind of like Dan too which is why I wish he had more of a point to him. Both he and Yaz have a lot of potential but there characters aren’t developed enough.

I think that’s a euphemism for bad face job, if which Nicole has

To be fair, Moffat was capable of moving at the same speed but he’d always manage to get some sort of character stuff in there or at least much better dialogue. I am, however, following this plot much more than I ever could during 11's time.

I’ve been enjoying watching the episodes as they’ve been at least fast-moving but I don’t see myself being episode if I were to stumble upon this season during one of those Doctor Who marathons. Same with all of the Chibnall seasons. In three or four years, when people are doing things like arguing over who the best…

Was there a reason for Dan? He didn’t even get to do all the standard Companion type stuff, including actually spending time with the Doctor. Like if the actor showed up at Comic-Con as “Dan” would anybody care? Same could be said with Yaz (unfortunately). 

I really dislike tv seasons (or shows) in which everything comes down to the last episode. Barely anyone is able to put it all together and winds up undercutting everything that happened before. Especially in a season like this one in which it’s basically one super long episode with no one-off to stay with you after…

Good luck to Olivia Rodrigo now that she’s done something that could anger Taylor Swift.

You forgot the SNL skit in which Norm McDonald’s Dole was a cast member of the Real World. It’s easily one of the best political skits SNL has ever done.

I hate everything involving Whedon as all the stuff surrounding him now blights out just how good Buffy was and just how brilliantly great OMWF was

It’s ever further proof that everything great in the world will eventually be ruined by capitalism 

Trump administration did something like that with the offices of the Bureau for Land Management, they tried to move the office to Colorado as a sneaky attempt to have everyone in the department quit as a way of gutting the department without explicitly admitting that they were doing so.

It’s almost like G/O really doesn’t care about any of the sites they run

I get your comment about having Stockholm Syndrome in response to current Hollywood shenanigans and am almost there with you. I guess my hackles are raised because I’m not quite ready to give up yet

Those are all good points but I think the original movie version is iconic in its own right (see my comment below about it being a definitive work for it’s time.) I don’t think you can do it in the same way you can’t do Sound of Music anymore. Fiddler or Carousel or even My Fair Lady, go for it, but I think this one…

I want this movie to bomb, and bomb big. I don’t want the idea of redoing Hollywood classics becomes a thing, as if old Hollywood movies are just another IP to drain all the fun out of.

I think the movie’s appeal now comes from it being a perfect representation of mid-century America. It’s something that you could put in a time capsule as a way of showing just how that era looked, felt, and sounded like. Since that era still looms large in this country, it’s important that way.