It’s because he was making a weed joke. The punchline is that he was taking an “anti-drug” position while simultaneously admitting he habitually uses drugs. It was very self-aware, yet most of the clips I’ve seen of the monologue omit the punchline — almost like they are just as guilty of pushing a narrative as old…

This game is what I like to call a “tedium simulator” through and through. So many weird design choices. Like, imagine if, instead of almost immediately experiencing a plane crash, the first hour of Bioshock was you sitting on the plane looking at photos.

Here’s a wiki with all the mistakes in her books.

Hyetta is what happens to Irina when Shabiri says he wants to see other people.

Dude, thank you. I just bought the game yesterday and was slightly annoyed you could craft in the field, but had to end your “night” to actually put the items on.

LOL.

Thank you!

Interesting. Well, this is a pretty easy skip for me. Rowling is a tool (TERFool?).

I love a good beat-em-up, which means I may have to dust off my Nintendo Switch for this.

I get that Rowling profits from this game, but let’s be real: She was clearly making this stuff up as she went along. Until her publisher forced a continuity editor on her, there was very little world-building or anything remotely bordering on consistent lore.

I was one of those weirdos who thought Rick & Morty was great for a stoner comedy, but the last season had exactly zero episodes worth watching more than once. And High on Life really showcased how bad Roiland’s brand of comedy is. I found the game to be grating after a few levels and not worth sticking with until the…

Ranni’s ending is the best ending. It’s essentially, “this place sucks, let’s run off to the moon as Tarnished and waifu.”

I didn’t think the game was all that difficult, save for one specific sequence near the game’s climax where you have to battle wave after wave of tough demonic enemies that are best killed with one specific move. I had to look up a guide to learn what that move was. The rest of the game from that point on is a…

Context matters. Nothing about RE4 begs you to take the plot seriously, from the merchant who constantly asks, “What are you buying?” as if he was being instructed to sound like a drug dealer from an after-school special to the president’s daughter, whose first inclination after being saved from a murderous undead…

I couldn’t even get through the first level of Hi-Fi Rush. There are SO many expository cutscenes that add nothing to the story. The first time you encounter robots, there’s a cutscene explaining why they want to attack you. Which is fine. Then in the next few encounters, the action grinds to a halt again for another…

He loses a fight in Red Notice, but I wouldn’t blame anyone for not knowing that. It has three of the worst leading performances ever put to film. 

I had the same issue. I’m not TERRIBLE at rhythm games by any means, but even when I was tapping to the beat, or bobbing my head, none of my attacks in Metal Hellsinger seemed to land on “time.” And I have an LG C1 set to Game Mode.

I’m excited to jump into this now, as it was next on my list after popping last two achievements in Elden Ring. The description on Game Pass sold me all by itself. Hopefully, it’s less frustrating than Gungrave G.O.R.E.

I watched a gameplay trailer. The combat and movement look clunky. The dialogue is really, really bad. And the male voice sounds like a Dollar General Jarvis. Maybe the person controlling the character in the video I watched just wasn’t good at the game, but it just didn’t look polished.

Yep. I have a Switch, but I’m hesitant to buy this game on that platform. Nintendo’s hardware could barely handle Cyber Shadow, a similar 16-bit throwback. There’s a night and day difference between the Xbox and Nintendo versions. I don’t trust it to run Vengeful Guardian.