Okay, so spend $100 on a thing that’ll just fucking sit there, Jesus Christ. This is the hill you’ve decided to die on.

You’ll end up making really terrible kids movies later on in your career.

You should also keep in mind that home entertainment in general was far more expensive back then, for everything. Technological advancements made in the last 30 years have made everything a whole lot cheaper. Owning movies back then was more expensive then than it is now, but buying tapes back then, just because it…

The original had the benefit of being for relevant systems, boasted state of the art technology at the time, and did not catch on fire.

It reminds me of this video that I saw about the history of lens flares in movies. It’s like, “Oh, who knew? When someone like Steven Spielberg uses it in Close Encounters for the specific purpose of grounding a special effect in reality, to make it seem like it’s really happening, it works... and when other people…

No, yo ga fire!

I wasn’t crazy about the shallow depth of field look, but I understood its artistic purpose. It served a purpose. What bothered me was the decision to shoot so many important scenes in front of an opened window that literally made about 75% of the shot obscured by light.

$100?!

Honestly, I thought the amateurish camerawork and constantly light-blooms by open windows did the show a huge disservice. Looking like it was filmed by someone posting “7D test footage” to Vimeo didn’t help make it feel any more real. It felt like a distraction.

I see him as Country Mac.

Oh, my legacy account is gone. It never asked which account I wanted to use, went with my other Disqus account and my legacy one is gone. Forever. Fucking wonderful.

No need to call me “sir.”

The guy’s so high! He doesn’t even know that’s Xanderpuss!

It’s fucking <i>awful</i>.

This shit sucks, right?

Don’t know how to kill the spacing.

The Beatles - I’m Only Sleeping

So? Who’s still here? A.V. Roll Call!

Not that I’m some exclusive jerk or something, but the commentariat is just different—people coming from other places all around the Gawker spectrum. And that’s cool! I don’t give a shit! But it’s like AV Club is a friend I haven’t seen all summer long and now they have these other friends and they’re just…

Ah, a brilliant design.