Okay, you do realize this entire season was filmed before the accusations started, right? Just for the sake of my own sanity, please tell me people get that.

I’ll be honest, this is one of those times where I assumed they’d died years ago. Killing Paulie offscreen in Creed definitely had me thinking it.

I’m truly fascinated by the thought process that led someone to believe this is the perfect point in time and space to suck Ryan Murphy’s dick.

And it was reportedly a very last minute decision.

But what of the big question everyone’s been asking: does whatever Sandman’s role in the story is acknowledge Peter keeping him trapped in a tiny jar for years?

They’re definitely saying the family murdered her. You don’t need to be coy about it.

He pointed out that in the notorious episode The Great Vegetable Rebellion, you can spot him refusing to look at the vegetable people as the only way he could get through a take. He always seemed to have a good sense of perspective about his career, and what really mattered.

Glass reportedly had to be seriously rewritten to give him less complicated stuff to do, and resorted to having him wear the poncho hood up more often so he could wear an earpiece to get his lines.

With Moonlighting finally easily available, I look forward to all the Gen Z people learning why there was a time when the idea of “Bruce Willis, action hero” was considered so laughable.

One really cool touch is that the entire scene between Loki and Sylvie is filmed as if they’re played by the same actor. Either we’re only seeing one of them in close-up, they’re standing far enough apart that it could have been a split-screen, or the camera is far enough away that a stand-in could be used.

If anyone hasn’t seen it, I highly recommend Death Becomes Her. Not only is it an absolutely hilarious movie with groundbreaking effects that still mostly hold up well, with Willis killing it in an against-type role, but after his condition was revealed, the movie’s ending now takes on an incredibly moving new meaning…

“I’m O from The Story of O.”

It’s really a fantastic show, way better than I was expecting from something building off something as thoroughly mediocre as Voyager. And getting to hear Kate Mulgrew playing an awkward teenage boy in the body swap episode is worth its existence alone.

From the headline I was fully expecting this to be an old guy ranting about how you can’t do racist jokes anymore, so that was a nice surprise.

I’ve always found that this kind of story, where one or more horrible people suffer a slow, painful comeuppance, is just about impossible to really screw up. No matter how objectively terrible the storytelling is, that base satisfaction level will always be there. It’s the same reason I loved Saw X so much, and I have…

One of his ideas for his follow-up to Reservoir Dogs was a Luke Cage film, which would have been a scene for scene adaptation of the first issue, which he describes as “everything great about blaxploitation.”

Friedkin releasing his final film from beyond the grave to rave reviews on the exact same day as Believer may be the most baller move ever.

Lenny was so traumatized he changed his name to Chuck.

Also, the finale makes a big deal out of Walt leaving the watch Jesse gave him for his birthday on a pay phone, for no apparent reason, because he hadn’t been wearing it in the machine gun flashforward. And honestly, who the hell would have cared if they hadn’t gone out of their way to point it out?

Has a single person ever actually seriously considered this as a possibility? It would totally go against everything we saw from him in the last few episodes. Add in the complications of a physically disabled lead actor playing up being even more disabled until he risks actually doing it to himself, and no way…