ryanlohner
rmlohner
ryanlohner

Jim Henson would have been able to keep things better. Shame they chased him off.

Dolores Claiborne is super underrated, just for how it takes an utterly unfilmable story and completely changes the focus so that the material can work as a movie, even adding a new major character that gives Christopher Plummer one of his best parts ever.

The first film barely broke even. But five years of fantastic word of mouth is paying off now.

A disturbing number of people are saying this proves Pixar should have let Lassiter keep harrassing all the women he wanted.

My favorite part is all the people confused at Gwen calling herself Spider-Woman. Apparently they spent the last five years literally thinking her superhero name was Spider-Gwen, and people still couldn’t figure out who she was.

For all that the movie concerns itself with the idea of a rigid Spider-Man canon that defines these character’s stories, it betrays its real heart with these choices”

If Pavitr sounds familiar, he’s Dopinder from Deadpool.

Sia eventually relented and agreed to remove the scenes of restraint from “all future printings,” saying she “listened to the wrong people.”

Elizabeth Moss is very concerned.

Whedon also didn’t do himself any favors with his response to Gal Gadot’s complaints about his sexist behavior towards her, basically “It was all her fault because she can’t English good.”

I sigh for what could have been if Jeffrey Boam had lived longer, since Cuse’s partnership with him really seemed to balance out his writing problems and let shows like Brisco County Jr. be much better.

Prometheus at least has been revealed to be entirely down to Ridley Scott completely rewriting his script.

The Spot appeared in the ‘90s Spider-Man cartoon, where he was especially notable as the only villain who the censors would allow to punch Spider-Man, due to his use of portals making it impossible for kids to imitate.

Especially since Yunjin Kim, already a huge movie star in Korea at the time, actually auditioned to play Kate, and the whole characters of Sun and Jin were created because they were impressed enough to want her on the show but refused to make her the female lead.

There’s also The Big Red One, which sadly no one seems to remember.

I love how the writer couldn’t figure out any way to make him sound wrong about any of this, so he’s just hoping presenting the quotes on their own along with an insulting title will be enough. And to show just how right Tarantino is, just look at how Arnold Schwarrzenegger himself has just put out basically a True

It’s nice when cyberbullying is used for good.

All you need to know about Mulan comes with Ming-Na Wen’s cameo, where in just a few seconds of screentime she displays a dozen times more charm and engagement than the new Mulan. It’s just such an incredibly fundamental misunderstanding of the story to portray her as someone who’s always been a perfect warrior her

For as crappy as Little Mermaid 2 is, I’m very thankful it clarifies that she can actually turn back into a mermaid any time she wants.

Written specifically for her by Bono and The Edge, and all about getting revenge on a former lover. That’s something she could really throw herself into.