just to clear it up and to repeat other comments, the Fallout games take The Vaults as each one having its own story, and the series features different stories for I don’t remember if different vault numbers.

many of these plot holes were very well explained to me when you realise that: they are mid managers, the kind of people that only focus at very specific things, objectives, tasks, thinking that are the most important in the world. So, as radarskiy says, they are idiots.

my read is that nothing that you have seen in the games is canonical because the games are restricted by being models, and the series is not. So in the games you don’t have a huge variety of ghouls, but in the series you do. Probably there are no decrepit ghouls in the games because there was no way narratively to put…

I tried Person of Interest so many times because it was recommended here, and I only found the most irritating clichés of the North American mainstream media, with its soapy dramatic moments and all.

I did not love all the choices made in the series with the Fallout universe material, but making mid managers the mediocre narcissistic evil guys is such a stroke of genius that the final episode felt really really good. It’s a middle finger to the Fallout 3 or The Postman narrative where the middle man is the one who…

Congrats: yet again this comment section is about you, master shitposter.

Apart from Colossal being wonderful - the best thing Nacho Vigalondo has ever done and my favourite modern kaiju - I love Q not because of the monster but because of the main quality of the film: an absolutely unhinged Michael Moriarty doing pure method acting, mixed with what it seems some improv, which is in another…

I think it’s a wonderful film because it raises those topics you say, but you judge its intentions under the worst faith reading possible. 

A probably flawed Sci fi overlong mess about the ethics of urban development? I am so going to IMAX for this one

You go girl! 

I never understood those kind of takes. Why only stay with Satyricon as if it is the only work that can be done with this subject matter? Tinto Brass made my cinephile taste as much as Hitchcock. And I am gay.

it’s extremely fatphobic, you psycho. Keep on writing, at least that will keep you from hurting your family.

I disagree with that completely. Remake everything, it’s all part of the art.

The original is my favourite movie ever, among with Singin’ in the Rain.

Underrated??? I mean is there any movie canon list where it is not featured?

you know what, no. One of the worst things about old pop culture is how little we keep of the mediocre stuff, when that mediocre stuff is very important to understand the culture. For example, how difficult is to find certain sport video games compared to rpgs or adventures. 

they really compromised a lot to have the game running even on a 286

I think they don’t go where the games are still unique: the lore. Give me a house of hell or dead pirates or ghost gunmen, and keep the diaries text brief. And add autosave, and a better control system. And no inventory limit. 

Just use any search engine and you know the answer. 

My take: baffling that you talk about this as a serious effort instead of the exploitative The Purge. I am pretty sure most of The Purge satire flies over most American audience because many of the points are so natural to them that they don’t see the satire, they just see normality.