There’s an insane amount of misogyny in discussions of her performance in The Shining. (Which is appropriate considering how misogynistic King’s early works are, whether or not he can admit it.) People saying things like “I was rooting for Jack” and “I wanted to kill her as well.” Like, do you say that to all battered…

Maybe this is a generational divide, but I assumed “written it down immediately” meant the Notes app on his phone. Because no, people don’t usually bring a pen and paper into a Portapotty these days.

Yeah, but you also say a lot of dumb shit, so are you surprised people don’t listen to you?

The tone of this piece is bleak. And accurate. 

I feel like if they keep up this plotline it just turns into Dumb Watchmen 

I actually found this to be the weakest episode so far; just a lot of characters making poor decisions. What about Homelander murdering people who mistreated him was going to remove his humanity, exactly? Seemed more human, to me. On that note, Homelander in a basement full of trapped normies that he was 100% going to…

The Frenchie story is just a worse version of Jessica Jones in season 1. The guy, what’s his name, is going to eventually forgive him because he was just a mercenary under duress.

I have brought shame to my family with this error.

OK, but aren’t movies with a great concept but an frustrating execution the exact movies we should we remaking?  

He’s Mirror Universe Patch Adams, they bring him in to see the patients who the hospital has decided should give up on life.

Let me guess.

This is the kind of reviews we used to get in the good old days of AVC. Ignore the peanut gallery.

Hi: I’ll respond to that last paragraph.

Now do the commenters.

If you think a screenplay is impossible to fuck up, you haven’t seen enough examples of bad direction.

Is Krasinski likeable? I’m genuinely unsure of that, all I know is that he was Jim Halpert, and at some point after The Office, he became a CIA shill and a kinda boring action guy.

Kevin Costner was making his own western when Taylor Sheridan was dreaming about book one-day shoots on TV shows. And winning “Best Picture”. 

Seems like an intense actor-y thing where the experience of pretending to be in a post-apocalyptic wasteland fighting for survival was immersive enough that it was messing with her head and mood.

Is it because the lead actress of a film is speaking the language of trauma, and we’ve spent the last ten years reading about abusive directors going after their actresses? Maybe it’s just me, but I’m glad these two sentences were put in, because I know my mind went to harassment.