Thank god. I really wanted this to be good and not just Shyamalan wasting another good cast like in Old.

I’m trying to be excited for this but, like - the fact that it’s him with the original Cheers director isn’t exciting me. Old-school sitcoms do NOT hit the way they used to, there’s too much competition and laugh-tracks and everything sound increasingly absurd.

For instance, we turned The 90's Show off after 10 minutes…

Fat-ish guys with no asses RISE UP. I have a smaller butt but larger thighs, I bet I could make this work.

I also have no shame so I am that guy in the test seat really squishing myself in and staring balefully at the amusement park employee while saying “We’re gonna make this work, Dakota or whatever the fuck your…

I’m dumb - how is the friction caused by hitting and scraping the wall not slowing him down to the point where the acceleration doesn’t compensate for it? I guess the engines are just THAT powerful, but how did the rest of his car not just...sheer away?

I haven’t watched it precisely because of the run-time. You’re not respecting my time, WB. No one needs three hours of fucking anything.

That being said, I watched all of Skinamarink, because I’m apparently a huge dumb hypocrite.

I’m not about to listen to the guy who’s spread the lifelong lie that anything of note could happen in Maine.

“I was never afraid before you showed up.” That line delivery will go in the history books. Just fucking sublime.

Oh hell yes.

This is all just a big snooze. I dunno. I’d much rather have thoughtful, independent movies with little but easter eggs to bring them together in continuity. It’s what DC is best at. DC is at its worst when it’s trying to shoe-horn in large events (which it does with extreme rapidity because it doesn’t know what to do…

He’s shaping up to have a fascinating career like Radcliffe and I’m all for it. He’s very fun in Servant.

I didn’t know either character’s name and only know JCL because of Zodiac and basically everything else he’s been in being so goddamn good.

The Rick and Carl from the first few seasons could’ve made that work. Maybe there’s something to be said for characters with more baggage unable to pull that off. But agreed that TWD just didn’t have the chops most of the time, especially later on.

To give TWD its due, it did have more characters to juggle as well -…

Yeah, it does definitely benefit from the fact that The Walking Dead and a few others tried to do other things first, and established patterns that TLOU can now break.

There’s also something to be said for HBO’s budget for this, which I assume (from production standpoint, if not actor contracts) eclipses TWD. Every set…

I assumed that the government renamed/consolidated some of its arms in the face of the pandemic, especially if FEMA isn’t given license to, like...shoot people.

We’ve seen other stories where the government does this. I remember The Leftovers, after its Event, renamed the ATF to the ATFC to account for the fact that…

I loved that character as well and was hoping Brown would reprise the role, but Offerman was so fucking great that I can’t be mad.

I don’t like judging people by their appearance.

I LOVE IT.

Agreed completely. Thunderbolts is a deep cut for a movie on the best of days, and honestly would’ve been perfect to introduce some new faces a’la Guardians of the Galaxy.

My problem is that Thunderbolts and other “kitchen sink team” things work best when there’s a diverse group to look at visually and see them interact, and most of these people are just variants of “super-strong person that can beat people up.” It’s going to be VERY boring unless they bring in something like…

Yung Gravy and bbno$ (frequent collaborator) peaked with Welcome to Chili’s and are also, like, SO fucking thirsty for any kind of hit. I remember one song they almost beg for it to blow up on Tik Tok.

The production isn’t bad but their flow is all mumble and the thirstiness is just too much, it permeates.

The only winning move is not to play.