Clarence Thomas won’t rest until he’s deemed three-fifths of a person. 

Seems like cheating with someone who’s desperate for publicity and expecting them to be quiet about the one thing that can get them some publicity might not be the best plan.

After seeing the natural, funny, unforced banter between Selena Gomez, Steve Martin and Martin Short, I couldn’t help but think, “Wait, why aren’t they hosting?”

Perhaps I have a different definition of comedy, but a single episode of What we do in the shadows made me laugh more than the whole season of Barry. 

Characters like Lalo just remind you what a huge step down supposed prestige fare like Ozark is. All the villains on that show combined don’t even come close to his charisma. 

I know I’m in the minority (and the grays) here, but the show is starting to feel like a prestige version of the Charlie Brown trying to kick the football meme. Someone needs to do a supercut of all the calls Logan makes where he tells one of the kids they’re next. It’d be longer than Dune. 

Reminds me of all the great Jillian Bell scenes with Jonah Hill in 22 Jump Street. “When you were a senior in high school and my dad was a freshman, at the same school...did you bully him?” 

Were you there? Did you actually have to show your card? If so, you were in the distinct minority. 

Let’s hold off on the plaudits until we see the Covid numbers. Unlike Lollapalooza, which made at least token efforts to see vaccine cards or Covid tests, the prevailing attitude at the Pitchfork gate seemed to be, “Sure, yeah, we trust you.” I liked a lot of the sets, but exactly none of them were worth getting a…

I’m convinced this reviewer doesn’t actually watch the show and does these recaps based on conversations he overhears between people who do watch. 

French Lick. The Hick from French Lick. 

I love all these GOP “stars” who think they can just pick up where Trump left off. Trump’s support came from people who liked that he’s rich, famous and tells it like it is (in their minds, anyway). But sure, one of these jars of expired store brand mayonnaise like Tom Cotton will be able to replicate that. Sure, good…

He gets some blame for Chet. 

It’s all in the eyes. It has to be, considering the rest of her face is incapable of moving. 

He’s the main culprit, but my biggest complaint about this season is that no two actors seem to be in the same show. Some are playing it big and broad (Hi, Jessie Buckley), while Chris Rock and others are going for quiet and intense. I practically get whiplash from scene to scene. But yes, when it comes to…

I need to hear an interview with that actor in which he explains what, exactly, he’s going for. Not since AJ Soprano have I seen a performance where I could definitively say, “Well, that guy is never going to work again.” 

That’s been my problem as well. Every actor seems to be on a different show, even ones who are sharing a scene. I’m not sure what the Italian brother is going for, but it’s not working at all. Super distracting and unintentionally hilarious. Any time he’s on screen, I end up voicing what I assume are the director’s…

My quibble with her is that she seems to be in a different show than everybody else. Like, Jessie Buckley accidentally watched the movie “Fargo” for reference instead of the TV show.

“the recording was made last Friday, when she and her son were at a trampoline park.”

Penn State has a long history of pressuring people to do things before they’re ready.