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Citing this article every time someone says “It’s just a story.”

To your point about Captain Marvel’s design: Marvel seemed to work out a while back to get good costume designers to focus on designing new uniforms, and good storytellers to find ways to use them in context, and tweak them if need be. Jamie McKelvie designed that Captain Marvel uniform even though he had nothing else

It may have been. Whatever the local version of the old Sci-Fi Channel we got out here was, it played it with the original name.

Not the same, no. Just thought of that immediately, probably because of the name as well.

Wait... Dark Matter’s premise sounds suspiciously like... does anyone else remember Deepwater Black?

Exactly. I’d been playing for hours, gone way off trying to follow the game’s plot and become completely invested in exploring the Wasteland and dealing with the smaller quests. I hadn’t even been into the city or met Three Dog yet, so I had zero leads on Vaults or the dad... suddenly I find myself thrust into this

Girl I’d just started seeing brought this over because I’d never seen it before and it was one of her favorites. Still ended up making out after. Balance.

I dunno, man. Jeff Lemire’s All-New Hawkeye has been pretty good so far, and while there has been punching and running (something the Fraction book had too, mind), the focus has been firmly on Clint’s childhood and how it might compare to or inform his adult life.

Speculation Corner: It’s always seemed as if, during the period he worked for them, his particular tone and style didn’t gather a ton of interest from within Marvel. In some ways he was ahead of the curve (I could see Irredeemable Ant-Man selling well in the current market) and in others he was a little behind the

Fury Road felt more like any comic book than most of the recent comic book adaptations have. It was pulp-inspired, visually engaging and the world felt like a fully realized place even though we only saw a tiny section of what’s out there in that wasteland. Miller would have nailed that.

Yep. Blade shows up in the second season of Spider-Man, which must’ve come out in 1995, and the movie came out in 1998. It’s actually the 90s Spider-Man cartoon that created a version of Blade that was closer to the one the movie ended up using. Bizarre.

It works really seamlessly in the movie too. It never feels like it isn’t there or like it’s some sort of CGI trick.

That would’ve been incredible.

Solution:

Would’ve been made totally acceptable if they just had the police and Wells come to an agreement in, say, Episode 05 about this being the safest place to store metahuman criminals. Just a single line from Joe like, “I’m just glad the Central City PD’s agreed to use your pipeline to keep all these metahuman criminals

Recently discovered my copies of Myst and Riven while digging through old crap at my parents’ house. I loved these games. There’s definitely interesting lore to mine here but there would be almost no point in telling the game’s stories over, except maybe Riven’s, since that involves a revolution and an actual villain.

“The people who criticized Whedon publicly — which may or may not have spurred Whedon leaving the Internet — are, themselves, getting death threats. It’s a snake eating its own tail.”

This is all they’ll need to do.

Thanks for looking but unfortunately it’s not. The one I’m talking about must’ve been from 2005/2006 and was definitely on the DVDs for Justice League Unlimited.

The one I’ve always loved (and can’t seem to find online) is the supercut between the George Reeves, Chris Reeve, 90s animated and Smallville material. I think it was done as a promo around the time WB released all four incarnations on DVD at the same time; probably when Superman Returns came out. That’s the best