Does he get revenge with a pencil?

The troll-under-a-bridge positioning doesn’t help either.

They’re conservatively already spending the entire cost of a whole new mid-budget comedy to release a four-hour version of a film no liked the first time. That’s nuts. And remember, they’re sinking this into the “vision” of a guy who, with two of the most recognizable superhero properties in history, managed to get…

Momoa reiterated his support for Fisher, saying the young actor was “MAH MAN!” He followed this by letting out a long “WOOOOOH!” and then throwing an axe at something.

In this version, Hooch gets killed in the first act and Turner spends the rest of the movie getting revenge.

The classics are already in the thread (Lucy, Ronaldo, Fonzie), so here’s a lesser-known statue that makes Mr. Fred Rodgers look like either a skinny Chet-as-turd from Weird Science or a skinned/burnt extra from Hellraiser:

If you liked Ryan Gosling driving in Drive, you’ll love him stunting in Stunt!

I don’t see what’s confusing in that.

In other news Liv Tyler was apparently working on a television show called 911: Lone Star.

“...was one of last year’s highest-rated new shows.” and still I’ve never heard of it! God, I’m old. 

Just look at Ant-Man where they fired Edgar Wright for making it too much of a comedy

Isn’t Michael Hogan Canadian? I thought Canadian Medicare would pretty much cover most of this care, as it’s obviously medically necessary.

Reasonably, one of the things I’ve been wondering is how (not if) we’re going to get to Wanda’s full comic book power set.

Full batshit bonkers would be introducing Leather Boy and Asbestos Lady into the universe. For reference:

Undoubtedly expensive to make, but the majority of the cost would have been upfront. The design and creation of all the characters and sets has been done.

Saw him about 50 times and I still wouldn’t call myself one of the Superfans.

My bet is the thing was super expensive to make and if Netflix isn’t going to pony up the dough I doubt anyone else will.  

Maybe they’ll get into his backstory. A Palestinian refugee Socialist who preached tolerance and condemned the worship of money.

Caviezel promises another electrifying performance: