Lately, it seems like everyone is pissed off if the characters they like don’t end up boning - especially if said boning is done in the context of a non-traditional relationship.

While I think you’re right, here’s a critical distinction I’m seeing: When Miller’s behavior became an issue, this movie was already more or less completely shot. They were stuck with a whole movie already done that they had spent a ton of money on filled with Miller.  What is already filmed with Jonathan Majors that…

I hadn’t heard that theory before but DAMN does that make a lot of sense.

For better or for worse, Tom is the only one who actually had to do an actual job at the company, rather than swan in on an unearned title and spout bullshit.

All the “things we didn’t have time for” is such a strange argument to bring up, given what they did make time for in the final season. I mean, I understand the show has to use the regular characters it has, but it failed to make a compelling case for Chester, Allegra and ESPECIALLY Mark to be main characters. Add in…

Who is the actress who screams “FLAT FEET??” She looks VERY familiar but IMDB is not giving me further illumination.

The last six episodes of the season also had this thing of every episode raising the bet so you’re thinking “where could they even GO from here?” and yet managed to keep paying off the bets they make.

There are problems with Season Six in general that are alleviated in rewatch, because if you’re watching the whole season thinking the “flash-sideways” are an alternate timeline and trying to figure that out, you’re wondering why there’s so much time devoted to this other timeline instead of answering “island…

Half of the “unanswered questions” people claim existed in LOST were answered, and critics like to pretend they weren’t. People kept going “what about the polar bear?” which was an absurd complain when everything of value to know about the polar bears was already perfectly clear.  

The funny thing about Grindhouse is you can see how Rodriguez and Tarantino both said, “Oh, I love those old grindhouse movies!” and meant completely different things in their love. And thus Rodriguez made an ironic, self-aware grindhouse movie, and the “missing reel” bit was to yada-yada over the plot, and Tarantino…

I love this whole thing, because it is so delightfully random. Like, the conventional wisdom is that Twitter Can’t Sell Books, and that’s still totally true. But what it can do is be the lightning rod for something bizarre and random and viral, and every once in a while that manifests in something good.

I figured that one out: It’s to give you a chance to hit “full screen” before the trailer really starts.

Oh, absolutely.  I’m sure he enjoys being terrible to Kerry because she was awful to him, but certainly part of it is hoping to cement a place on Marcia’s good side.

ART.

His reaction to Kerry was gross, but it was clear he was actively sucking up to Marcia, who he perceives as the real power in the moment.  

Nothing looks like this show. Even the expanses of unimaginable luxury feel claustrophobic.

The one thing I miss about having cable is that “I’m gonna watch this movie because it’s what’s on right now”.  The tyranny of a set schedule frees me from the indecision of the infinite options.

It was an episode that clearly started as an initial thought of, “So many of our Arrowverse actors are great singers!” and that was also the final thought.  

I mean, maybe? I certainly don’t know if it’s easy or hard to get filming permits there, necessary work visas for cast and crew, what additional costs that could incur, or alternatively the availability of local crew, and the logistics involved in hiring them, and the costs that could incur.  I’m not going to presume…