reminds me of my favorite political poem of all time, “Fuck you, Bush”

I mostly wonder how much HG, BM, and Dumb & Dumber fucked up my personality as a 10-15 year old who watched them constantly. I do not wonder, or care, about the revolutionary subtexts of them.

This take is worse than the magazine’s argument.

I wrote a college essay about the cultural impact and philosophy of Haddaway’s classic song What Is Love. Got a ‘B’.

Ya I def agree there. The way to get a “good” ending wouldn’t involve Stan confronting them, but figuring out after they bounced and being crushed. 

2 big shows with great endings (or at least satisfying): The Americans and The Leftovers. 

Lena Heady not yet winning an Emmy is the real villainy. 

I always read Tommen as sympathetic during all the stuff you mention with Margaery. Margaery came across as manipulative and almost cruel, with Tommen being literally a child out of his element.

As someone whose grandparents served in the army, I can confirm old people do react like that about profanity at times (at least when I would use mild cuss words around them). I’m sure it’s not everyone from that era but there sure are some that did, regardless of how prevalent it was back in the day.

Is this the first use of profanity by cap in the MCU?

Here’s the true ending as the walkers come:

That’s a really good point about the side characters in BP. While the final fight/act was kind of a drag in it but I’ve never really thought about how well thought out all the characters were in the first hour and a half or so. Like, I can’t recall all their names but if you’d show me a pic of the BP actors I could…

After a few pints they die like the ants murdered by Ozzy Osbourne in The Dirt

$20?! Bentley’s is $12 for a handle. Finest whiskey around (I don’t remember what it tastes like)

The educated portion of my brain is like: “Hmm. More gross foods for the disgusting slob plebs.”

I’ve never actually watched that. Guess I should...

I agree it was sort of a big jump for tv Stannis to go from using Melisandre as a means to an end to being a fanatic, but I viewed it like an Abraham-burning-Isaac scenario or how some more-or-less secular dudes suddenly join ISIS. They felt the need to “prove” their faith in order to secure their position within it.…

Bright may not have been good per se but we were entertained for most of its brisk runtime. No deep themes outside of surface level nonsense (what if racism but D&D creatures??), just silliness. But gervais is all hard pass from me.

If you’re white your forced into menial hard-labor jobs, and if you’re white AND christian you’re not allowed to have a job and are forced to live on...WELFARE!!! [screams in horror]

like being stabbed in the gut by his estranged son and plunging thousands of feet to a grisly death?