kristoferj
TheSeventhAge
kristoferj

Goddamn I’m so glad to see love towards “Certified”

L&T was such a disappointment in a myriad of levels. And while I agree that Thor really got the short end of the stick, I feel like Jane suffered the most. You bring back Natalie Portman and try to adapt a pretty great Thor run, all the while doing nothing that actually made it special. The same goes for Gorr and that

Some of my picks for a great S3:

Wolverine and the X-Men remains my close favourite of these adaptations, though ‘97 is very close to beating it. I think it adapted great stories and gave them their own fresh-ish twists. It fell into some of the tried and true X-Men conventions, but it was immensely engaging.

It absolutely did! It really was because of that and what Meredith would do next that S12 was called a sort of “renaissance.” Viewership went way up and overall, it was a very solid season with at least one all-timer episode. The dinner one.

The ghost sex is one of the most ridiculous things the show has done. Cancer or not, Izzie should’ve sprinted to the others the minute she began seeing Denny.

First of all, I’m very glad to see AV Club have a fairly in-depth article about a show. These seem fewer and further between as time goes on. Cheers for that!

Aos is top 5, at least in my book. Marvel shat the bed with its attempt at trying to tightly tie a network TV series to a movie franchise that had had success at basically every corner then. ABC is a network most (correct me if I’m wrong, I’m not American) people watched and had access to, but it was by no means a

Is Barsanti really the only writer they have left now? Aside from AI?

For all its faults and mishaps, of which there were many and some were especially egregious, I personally think it succeeded at giving fairly interesting character work to its core cast. With Regina, I’d go as far as to say that she became the true protagonist of the series. Yes, Emma was the savior and still the main

I think there was a small resurgence in interest when Angela Kang took over as showrunner, but that was after seasons 7 and 8, which did enough damage to turn most people off. Which is a shame, because Kang brought some real creative juices to the series and some of the best looking and atmospheric episodes are from

Absolutely, without a shred of a doubt

Anything regarding him always reminds me of those times he said some inane shit on Twitter and Lucy Lawless was immediately there to fuck him up.

Veep is in the top 5, I’m content with this.

Triangle and The Shallows rock so hard.

I’m so glad you brought up Sarah Millican and Aisling Bea. There are so many funny women in stand-up, but I’ve sort of imprinted on those two a lot for some reason.

There bloody should be. There is an Outstanding Casting category, but Andor is nowhere to be seen. I do reckon there should be an ensemble cast award, since that’s such a prevalent thing these days.

Serkis was very good, but I genuinely think Denise Gough and Genevieve O’Reilly should’ve gotten Supporting Actress nods. Hell, most of Andor’s cast should be recognized for acting their asses off.

Edit (since Kinja sucks): Wasn’t aware that Juliette Lewis had already expressed disappointment in the direction they wanted to take Nat in after S1, apologies!

I’ve been reading a lot of people’s reactions to this season being less than or outright bad and... I’m not seeing it?