It’s essentially an 1,100 word, mean-spirited ‘OK Boomer.’  Like, grow up, you spoiled children.

It’s such a boring and uncreative way to generate a few clicks. “Maybe we should write another article about Scorsese vs the MCU like it’s fucking 2018. And be sure to put in a few digs at the guy, we need the controversy”.

This site used to be such an important voice in film and television. Very sad to see where it is now.

This is genuinely one of the most rancid, thoughtless articles in the history of the AV Club. It is antithetical to what this website used to be. G/O Media should do us a favor and shut the whole fucking thing down.

Do you not know what profits are, business understander

Midnight Mass is the best thing I’ve seen in years, and it’s not even close.

Yeah, and in fact, from a “defending the legacy of my film” perspective, this is the canniest thing he could say. Because let’s face it, the real answer is “it’s left deliberately ambiguous because that uncertainty is scarier than a definitive answer would have been.” But if he comes out and says that, it throws a…

Saloni are you okay? You didn’t turn this into a slide show.

The ambiguity of the ending is the entire point. It could be anyone.

You’ve written a comment, and are therefore technically an author, and are now on my to-do list.

For the record, I’m a fan of the theory that might honestly be the darkest, which is that both of them are completely human... but because of the reasonable paranoia of what they just went through, they’ll never, ever know that, and so they’ll just freeze to death.

Probably not, but my point in that comment was that the people working full-time on the $200 million movies that seem to be drawing Larry Charles’ ire are, generally speaking, compensated well for it (certainly in comparison to their counterparts on lower-budgeted shows). There are always going to be exceptions,…

They never say what the boxes are. “Easy to figure out” =/= revealed. Yes, you can infer that they’re more zombie troopers, but it’s never outright stated.

On the other hand, a canonical “Werner Herzog exists in the Star Wars U and is delightful” is a reason to at least preserve Mandalorian S1.

on x, formerly twitter.

I actually meant to say Mando season 2 is peak popcorn fun. Typo on my part there. I largely forgot about season 3. Found pretty plodding and dull for the most part.

TFA was less fan fiction for me than it was “non-Union Mexican equivalent” Star Wars. There’s serious “Señor Spielbergo” vibes to the whole idea of “Resistance” and “First Order.”

Honest question: what is the cargo? I assume it was all those boxes we saw in the final montage, but are we supposed to know what’s in them? I would guess it’s an army of some sort (more zombies?), but unless I missed something, we’re never told or shown what’s inside.

You sound like me in that I used to consider myself a “Star Wars fan” in that I watched the shit out of the original trilogy and dutifully sat through all the other theatrical releases, with varying degrees of diminished excitement. I’ve caught random episodes of the cartoons though not in order and I can’t even keep…

American Werewolf in London is wonderful. Seriously underrated: it’s a gem. I wouldn’t necessarily call it horror.  It doesn’t strive for horror impacts. Its horror aspects are undermined with comedy. What it really is, is tragedy. Enough comedy to make the tragedy land that much more accurately. Beautifully done.