Yes, yes, very nice, kudos all around.

Any time I see “Slayers” on an entertainment website, I have a brief moment of hope that it’s about Lina Inverse, Gourry Gabriev, and their allies and rivals. Sorry.

If Jon Stewart hasn’t already done “The Problem With Capitalism”, this would make a good object lesson for that episode.

Although I now kinda want to hear an uber-feminist spin on “I’ll Do Anything for Love (But I Won’t Do That)”.

Slow news day?

Where’s the clickbait, the manufactured outrage? You’ll never make it as an internet writer.

I’d pay to watch that!

I mention it when I want to argue for Sam Rockwell getting to play more comedic villains.

That’s the obvious headline to go with, but still, props for actually using it.

What, you expect the AV Club to pass up a chance to throw a little shade Pratt’s way?

Hey, AV Club, it might be time to consider seeking therapy over your Vanderpump/Sandoval obsession.

If I have 30 items and you come up behind me in a checkout line with 2 items, I’ll definitely offer to let you go ahead of me. ¯\_(ツ)_/¯

in the discourse’s business

Get Don Hertzfeldt to do a new version of “Rejected”, and I am so in.

I’ve neglected the Lewton films for too long, so this year would be a good time to start correcting that. Wise, in particular, is an underrated director; it’s not that he had an unbroken string of classics, but rather that he had a respectable number of good-to-great films in a wide variety of genres, from tough…

Do you generally see this kinda nonsense from the left?

Ah, but the spinoff series starring Rubble introduced a non-binary character (and a kid at that) which is, according to the evangelical right, the ultimate evil.

I’ve seen a couple of other people saying that; good to get further confirmation, that’s probably #1 on my list to finally watch this month.

I love classic horror films from the ‘20s through the ‘40s, though they tend to strike me more as “suspenseful” than “scary”. It’s no doubt way past time for me to start exploring the mainstream horror/ghost movies from the ‘60s and early ‘70s. Hammer films looked a bit too lurid and gruesome to me when I was a kid…

I’ll admit I’ve never considered The Changeling solely because, being released in 1980, I assumed it veered into slasher/gorefest territory by the end regardless; that’s definitely one I’ll have to check out, thanks.