Can we just stop letting cable and internet service providers also own all the content as well?
Can we just stop letting cable and internet service providers also own all the content as well?
It’s the 3rd No More Heroes game, but it’s not No More Heroes 3
For more explanation *points to Kingdom Hearts III*
“all begin in an intriguing way, with a clever intro sequence and a tantalizing title screen. But once you get into the action, these give way to straightforward, unappealing level designs”
I’ll be picking it up only because Suda said if this game does well enough we can get a No More Heroes 3
If a game gives you options for romance and then undoes your choices without giving you any control, that’s upsetting even disregarding the change of sexual orientation. As someone else pointed out, it would have been very upsetting if my Commander Shepard suddenly left Liara and started romancing Ashley. Same with…
I always thought the Gef The Mongoose story would make a good musical, but in the absence of that he’s at least got a very good Neil Cicierega song from his perspective:
By being batshit crazy.
I would totally watch a Thomas Middleditch and Benedict Cumberbatch detective-themed film series, and just market it as Middleditch & Cumberbatch
“Shot in Puerto Rico” - I hope that means they pumped that $30 million into the economy there.
I’m reminded of Harrison Ford who some years ago said (approximately) that he’s not an ‘artist’, he’s a ‘tradesman’. Acting is a job for him, something he does to pay the bills. I recall Michael Cain said much the same thing. Whether a film’s good, bad or indifferent, its a paycheck.
So, no more shitty Verizon Wireless commercials?
Tax write-off is my theory but basically I think we’re on the right lines.
‘People keep asking ‘are your wife and children back?’ and I haven’t really had an answer. But now I’m think yeah, they’re back! (cos I cloned them)‘.
“Embezzlement scheme” is my new go-to for terrible movies
If nothing else, I’d really love to know the backstory on this one. Keanu is not at the point in his career where he needs to do a goddamn thing other than roll around in a giant pile of Matrix residual checks, so he usually takes on passion projects and his taste in them has normally been pretty solid.
I would laugh out loud every time the trailer would show this interaction:
“I once saw him clone three people in a rec room with a Commodore 64 and a waffle iron. A fucking waffle iron.”
I think I’m overly-invested in his career, but I really want Thomas Middleditch to only be in good things from now on.
I saw it. It only really hits “so bad, it’s good” in the last shot. Before that, it hovers, like Dowd said, in “so bad it’s kind of unbelievable.” I kinda dug the first act because it played like a trashy Frankenstein homage, but at that point, I thought the writer would know how to pay it off or knew what a pay off…
At first I was ready to dismiss your reply, but then you hit me with Grand Theft WAAAHto and I am like “dammit, I need this in my life.” And screw it, a bullethell with Nabbit sounds awesome too. YOU MADE ME SEE THE POTENTIAL OF THINGS THAT WILL NEVER HAPPEN.