I always thought the Gef The Mongoose story would make a good musical, but in the absence of that he’s at least got a very good Neil Cicierega song from his perspective:

By being batshit crazy.

I would totally watch a Thomas Middleditch and Benedict Cumberbatch detective-themed film series, and just market it as Middleditch & Cumberbatch

“Shot in Puerto Rico” - I hope that means they pumped that $30 million into the economy there.

I’m reminded of Harrison Ford who some years ago said (approximately) that he’s not an ‘artist’, he’s a ‘tradesman’. Acting is a job for him, something he does to pay the bills. I recall Michael Cain said much the same thing. Whether a film’s good, bad or indifferent, its a paycheck.

So, no more shitty Verizon Wireless commercials?

Tax write-off is my theory but basically I think we’re on the right lines.

‘People keep asking ‘are your wife and children back?’ and I haven’t really had an answer. But now I’m think yeah, they’re back! (cos I cloned them)‘.

“Embezzlement scheme” is my new go-to for terrible movies 

If nothing else, I’d really love to know the backstory on this one. Keanu is not at the point in his career where he needs to do a goddamn thing other than roll around in a giant pile of Matrix residual checks, so he usually takes on passion projects and his taste in them has normally been pretty solid.

I would laugh out loud every time the trailer would show this interaction:

“I once saw him clone three people in a rec room with a Commodore 64 and a waffle iron. A fucking waffle iron.”

I think I’m overly-invested in his career, but I really want Thomas Middleditch to only be in good things from now on.

I saw it. It only really hits “so bad, it’s good” in the last shot. Before that, it hovers, like Dowd said, in “so bad it’s kind of unbelievable.” I kinda dug the first act because it played like a trashy Frankenstein homage, but at that point, I thought the writer would know how to pay it off or knew what a pay off…

At first I was ready to dismiss your reply, but then you hit me with Grand Theft WAAAHto and I am like “dammit, I need this in my life.” And screw it, a bullethell with Nabbit sounds awesome too. YOU MADE ME SEE THE POTENTIAL OF THINGS THAT WILL NEVER HAPPEN.

It’s games like this that make me wish there was more of an effort on the part of Nintendo to take whatever wacky proposals they receive and paste lesser developed Mario characters on top and make a game out of it.

They’re very popular games and owned outright by Nintendo, so I can’t imagine it’ll be much of a wait. My only question about the Mother series is what they plan to do with it. If I were Nintendo, I’d do a full-on three-game collection for Switch with bonus features that lives outside of the subscription service.

Those 4 star fights seem to be a situation of throw yourself at them until the cpu just has a brain fart.

I got lucky in some of those fights because they KO’d themselves. 

Big fan of World of Light here! I would say, however, that the tougher 4-star fights can be pretty damn challenging. People are breaking on Pauline and Geno and such. Personally, Fox McCloud’s dad is handing me my ass repeatedly.