I mean, the manga/anime have a perfect ending if you stop reading/watching at the 2/3rds mark.

I want new characters, new settings, new stories.

Yes?

I totally get where you’re coming from, but while this sounds simple it can vaaaasstly increase the writing/dev needs per scenario. So you’d end up with a lot fewer character options in the long run.

Some other options:

 could try to prosecute residents even for seeking an abortion across state lines.

The amount of acting in that film which the score is directly responsible for is always stunning. 

I think that entire segment is actually supposed to be weeks.

Yeah. Like, I don’t care at all if BUNGIE profits from this suit.

I really don’t think it’s fair to call this nitpicking though?

List is severely lacking in R2D2. Great in all the films, even better in the animated stuff, and absolutely sentient.

You have my deepest condolences!

Correct me if I’m wrong, but he can’t run in 2026, no?

I’d agree with you if these weren’t all things you’d know ahead of time, and if this wasn’t a monthly subscription.

Yeah, but... it’s not pretending to be that.

I don’t get why they changed their physical features. And Ellie looks chibified in a way that I absolutely loathe. Her character design in the original is SO GOOD - there’s no need to make her into a new person?

Unless resigning gives you some kind of massive benefit from your contract/circumstance, IN WRITING, then you should never resign rather than face a firing. Your protections and eligible benefits change wildly depending on if you choose to leave vs. get fired.

This is ultimately the problem. Netflix has seen its value prop going down because of market saturation, and their response has been to increase customer costs to bolster revenue. Except that just further lowers their value prop.

Yeah, that’s probably the thing. The risk is probably almost entirely on the theaters, tbh.

When a black actress is receiving death threats en masse from racist, misogynistic assholes, I literally could not care less about whether or not it’s a “problem” for Disney.