You caught me, I clearly loathe this TV show I have written 25,000 words about and given uniformly high scores to.
You caught me, I clearly loathe this TV show I have written 25,000 words about and given uniformly high scores to.
Hader has talked repeatedly in interviews about how Barry has gotten dumber every season (to the point where he started the final season literally calling Gene from prison to ask if he’d been tricked). In that spirit, “Oh, Wow!” are the funniest last words. I can’t stop laughing about it.
For Harry and Meghan, the case underscores the bald absurdity of not just their demand, but their attempts to rewrite the well-established quid pro quo between paparazzi and stars: we give you attention you want, and you let us pay our rent with the fruits of that labor. It also raised uncomfortable questions about…
Bud, you spaz out in the comments every time a review goes up. You seem deeply unwell.
Honestly, if this wasn’t an A rated episode in your eyes, I don’t know what more the show can give you. And I don’t think we’re watching the same show. The entirety of the Beard/Nate scene, from jump scare to quite contemplation ranks up there with the best things this show’s ever put to film.
Criticizing an ensemble show for having multiple plots is like criticizing ice cream for being cold.
I think you just don’t get the show.
As critical as I’ve been of the show, I liked this one well enough. I think there may be a perspective problem here with your criticisms of Nate and Keeley’s stories. I don’t see them as one-episode conflicts that are resolved neatly, so much as the payoff to what’s been going on all season.
Okay, I started writing this about halfway through the first paragraph of your article, when one of the ads crashed the page and reloaded, and I still haven’t changed what I was going to say after reading the whole thing:
“I’ve come to realisation that “some” people get disappointed in shows/films not being what they expect them to be, based on how they’ve played things out in their head.”
Agree on all points - I enjoyed this episode immensely.
I’ve come to realisation that “some” people get disappointed in shows/films not being what they expect them to be, based on how they’ve played things out in their head.
“because people work really hard to create some sort of cushion for their lives.”
You get it. Ted Lasso isn’t a sports show! It’s a workplace comedy, and the workplace just happens to be a soccer team.
Where’s the discussion of Jamie’s speech in the locker room and overall character development? His transition from showboat to team player is one of the highlights of the series. Watching him give the assist rather than trying to score the goal himself was one of the top moments of the episode.
...is more interesting to me than seeing what needless sitcom-y setups the writers have cooked up for the show’s ancillary characters.
Yeah don’t most work place comedies not really focus on the actual work that it is set in?
Comment from my wife after last night’s episode: “Who knew that an episode that kicked off with a pegging reference and continued on to footballers with red string around their gentlemen’s regions would be so great?”
Ted Lasso is not a show about football any more than The Office is a show about paper products. It’s a show about people who happen to be in the football business.
I once again find myself in stark disagreement with the review-which is fine, but this is absolutely higher than a a C Plus for me. I thought the stories of the characters were fun, in some cases emotional, and well handled while clearly tying into a central theme.