I’d argue that Heidi might be one of the most underrated performers on the show. He’s great at those wackadoo Weekend Update characters, and kills it when she needs to be the straight man.

I remember when her mom appeared on a mother’s day ep. Waaaay back in her first season. She looked just like all like the crazy lady characters that Heidi portrays rolled up onto one. 

SNL took a big risk having edgelord comedian Jerry Seinfeld show up. They must have been sweating the entire time worried he’d go full Michael Richards at any second. 

This list is missing “Cherry 2000", which was a big influence on Fallout.

Surprised that none of the versions of The Day of the Triffids made it onto the list.

If you are looking for the fallout vibe Fido is an excellent option... 1950s style post apocalyptic horror comedy about a boy and his pet zombie.

I’d also recommend:

As it seems to be with a lot of supposedly advanced tech these days, it’s all just smoke and mirrors with real people still doing the hard work.

Maybe. Those aren’t “hostages,” but that could be who Youssef’s talking about.

The thousands of Palestinians being held hostage by Israel.

If starting with a Trump cold open feels tired, imagine how most of us feel every fucking day having to see him cold open every bit of news on every media platform.

He may be referring to the thousands of Palestinian civilians, many of them children, that Israel routinely “detains” and has been doing for years. But I suppose that would go against the never ending victimhood of Israel and it’s supporters.

I’ve already watched that cold open ScarJo a couple of times and keep just noticing new things that she’s doing there.

Sarah Sherman sure is a sport.

For the Hooters sketch to function at a higher level, she should have been the waitress who no one wanted for some reason, with Bowen as the favorite.  I also wanted to see the Sydney Sweeney Todd sketch.

Yes, it’s not a JJ show, it’s a Lindelof show, and it was the most frustrating television series I’ve ever seen through to the end.

They either enter the caves and find a swirly portal and creepy witch woman (“she”) or sweet fuck-all, because it now feels like the supernatural stuff is useless window dressing.

Also loved Lorraine’s bit tonight: “This has nothing to do with that book. This is from an older time, written on stone tablets in the age of the skull-fuckers.”

I was thinking people would see the end as too overtly Christian -- eat this round piece of love bread and be forgiven. But that was the point, wasn’t it. Practiced vs performative.

I liked Dot telling Munch: “That’d be like getting mad at the table you stub your toe on.” Because it was very much a “Munch-ism.” I immediately thought of the line Munch told to Gator earlier in the season about how “you don’t yell at the boulder for being a rock.”