[Brett Gelman burst in]

Excellent, he’s such a fun part of the show, and I can’t wait for home to get coerced into helping to rescue Hopper. We running “background TV” this weekend, and the Other Guys was on, forgot about his small role in it, but he’s hysterical. Side note: We really want to watch Mr. Mercedes, hoping it eventually comes to…

Dunking on dogshit online taeks is one of the few truly unifying things in this country.

I’m just here for John Turturro! 

I believe Chuck D would disagree with you. 

But, he ended up as Joe Montana’s back-up, eventually got the starting job as 49ers quarterback, and won a Super Bowl. 

Well, Chuck D is the living voice of revolution, and Flavor Flav is a burned out chickenhead court jester brought in to provide comic relief for a band that was so serious and on message at all times that it actually needed comic relief. So I’m going to go ahead and side with Chuck on this one.

It is too bad that Steve Young lost two years to playing for their lousy, cash-strapped LA franchise, which lured him with a $40 million contract that he ended up taking pennies on the dollar for in a settlement just to be let out of it so he could jump to the NFL.

Polanski might be a scumbag rapist,but he’s also a magnificent filmmaker. Real life isn’t always cut and dried.

Okay, that the more I watch it, the more badass the Adele Haenel walkout becomes. I also love how the camera just keeps it on her, the director not even making a passing attempt to hide what is happening.

Like I’d go to fucking Tennessee.

Wow! With Paul Anka’s guarantee and everything!

Can only speak for myself but I’m a fan and I’m looking forward to hearing her songs. I saw her on tour last year and she still sounds fantastic.

I think you mean moonSHIIIIIIIiiiiIIIIiiiiIIIIIINNNNE.

“Your Stinky Vagarazzi!”

It gives you a code when deciphered says “drink more Ovaltine”

Oh sure, more African royalty after my bank account.

Thanks for the effort, but i think i’m going to stop clicking this.

I agree with everything you said. To me it was more... overwrought I guess, rather than tacky. Definitely memorable. And it makes the opening credits a looooot more powerful. And the part where Meyer mentions the Jew playing never lost, like as a bittersweet aside, Pacino really sold that.

Do you mean Ilsa, She-wolf of the SS, wasn’t real either?