handlebears
handlebears
handlebears

I worked with lawyers on IP for long enough to know that this is *probably* going to go in Smuckers’ favor. Any practicing lawyers please feel free to correct me here, but it seems like there’s plenty for a ruling based on the shape combined with the package photo.

“Y’all should be mad AT the unethical things happening, rather than using the technology as a scapegoat.”

I don’t hate Luke. I love Luke! I love his shitty taste in faux-wooden or stark, retro-white consoles. I love his sensible, cut-to-the-chase writing style. I love his constant-output work ethic that generates high-quality articles.

Who asked him to?

lol. die mad about it, luke.

Think critically about AI art, and understand that anyone pretending it’s “good” to generate it might be a fraud, but that anyone understanding the “good” in using it as a tool is just an “artist”. If you are an artist, you’ll understand how AI generative compilation is the same process an artist might take - with the

I don’t care what quote you want to show me.

I don’t care what quote you want to show me.

I watched both of their Zelda/Retro deep dive videos and both were fantastic, and neither had any infringing content. Both videos also went to great lengths to be clear about what content was found, and who provided it.

As a sensible counter point to this: IP definitely needs to be restructured and reimagined for a modern era, and that would GREATLY dilute copyright and what it means to be a holder, but of course copyright should exist in some form. Anything else is socialist fantasy. A nice one! But fantasy, nonetheless.

I don’t care what you think you don’t care about.

This is cool and I’m glad they did it.

I don’t care what quote you want to show me.

I don’t care what quote you want to show me.

It’s not an assessment of the possibility, just a recognition of the practical reality. It happens, more often than not, that big changes are handled with large updates.

I don’t care what quote you want to show me.

Well, to be clear, what you’re talking about is “dumb” ad real-estate algorithms, not really “dumb” data collection.

It’s actually a bit of an industry joke that people think advertisement devs would waste the bandwidth of sending constantly streaming audio data through their networks at all times. It’s just not feasible to do the surveillance that people assume (mostly because it wouldn’t be hard to detect, whether or not it was

Don’t bother with magus-21; ne’s a self-important contrarian.

Best to understand this not as a tool that produces “final results”, but as a tool that starts artists with their work halfway done. And, in this instance, it’s a *prototype* of the tool that will eventually do half of the work.