fuckminsterbuller
Fuckminster Buller
fuckminsterbuller

On the other hand, some quintessentially uncool artists are Gary Numan and Johnathan Ritchman.

Does the Night King needed to do that Necromancer Shrug thing whenever he raises people from the dead? At Hardhome it looked like he was just showing off, but in the last episode it would have been better to raise people ASAP with Jon running up on him which makes me think it’s mandatory.

I know this is a joke but I’ve always thought the show did a good job of making the dragon hinds suitably weighty as they try to drag their fat asses in the air.

I don’t see how Bran could redeem himself.  His “one job” was to give some sort of magical knowledge that would allow Team Winterfell to defeat the Night King and he done got overshadowed there by Melisandre.  You could have just had Sam find a slightly more detailed book in the Library for the whole R+L=J reveal and

Is it better to be on your laurels or on my hardies?

I’m hope this coalesces into a horror movie called “Stan in the Place Where You Live”

That dude from Tad totally hit on their front woman.

He removes the top of his skull like Johanna Wellick.

Dancer in the Dark was also miserable and bleak but, where it’s miserable and bleak contemporary Requiem for a Dream earned its way to a devastating conclusion, Dancer in the Dark just seemed like a bunch of stupid people making whatever stupid decision was required to maximize the misery.

Is warbling the Firefly theme one of those rare global human shared traits like jumping when you enter a boss room in Megaman?

This and then also that the intros to Westworld, Star Trek: Discovery, and Manhattan are all kind of conceptually similar.

I used to think that Trump was miserable in the White House but I’m pretty sure being the strongest person in the world strokes his ego enough to get him through the occasional fake news story that makes it through his gauntlet of handlers. And he gets a huge audience of people waiting on each word (of which there

Now if only the democrats could look competent long enough to keep the new people...

“Here’s the other notion: What if this was the end? We’d leave all the major characters in a similar state, stuck in a limbo they might conceivably never escape.”

I think also this indicates that the shift to online streaming has not been as disruptive as expected. While many people have streaming services and access to premium content, the way we watch TV (turn it on, flip through channels to see what’s on) has not caught up to the technology yet. As others have indicated,

Oh absolutely. It’s telling that we came out of WW2 the global power we think of ourselves today but it’s 9/11 that’s basically causing us to rip up the constitution.

Regarding Battlestar Galactica, I think the first miniseries that kicks it off and a lot of the first season did a great job at capturing that sense of utter annihilation and desperate, trustless escape that was on the mind post 9/11. It was one of the few moments where something irrevocable happens to normalcy. 24

Juno Reactor - Transmissions

The hotel and car were both different. At night they arrive at a single story hotel that I also thought looked like the gas station/convenience store and Coop is driving a black 60s thunderbird or something similar. In the morning he wakes up at a really Californian two-story hotel and gets into a 90s black sedan (I

I will never not read Joel Osteen as Haley Joel Osment