chronium
Chronium
chronium

I enjoyed the final season. A good send-off for the show, overall.

I enjoyed the season while recognizing its limitations. The cast did grow too large to give everyone’s story full weight. But I thought they made some really good decisions. Adam Groff’s storyline was well executed; I didn’t mind that his boss remained mostly one dimensional. The character found his voice, after being

Yep, it was good.  Definitely better than season 2, not as good as season 1.  I definitely wouldn’t call it ‘not so great’.

Ted Lasso’s final season was good though...? 

Lol, it doesn’t matter. They might retain some smaller indies, but any larger indie studios or AA/AAA studios who were previously using unity are gonna jump. Any new developers are going to find so much negativity towards unity when evaluating what engine to use they’re going to use godot or unreal.

It is going to take

On the other hand, HBO used to withhold its content from Netflix. With its reorganization, now a bunch of old HBO shows it used to keep on HBO Go/HBO Max/MAX are now on Netflix.

This is what I find truly annoying about modern criticism. There’s only ONE reason why the New Republic is as messed up as it is. JJ Abrams. He and his creative team made the incredibly lazy decision to just undo all the progress made from defeating the Empire and descended right back into the good guys being a

I always thought she did a good job of communicating puppy love that grew into the real thing. I think any lack of chemistry was exactly what’s suggested in the article, that they just didn’t have enough screen time together to develop the type of relationships he had with the main characters his age. And the mere

Kindly go fuck yourself up a hot stovepipe

They did take it into account. They all came out saying they were going to take losses until they pretty much hit their user cap. They determined that they’re not getting big gains anymore and in some cases investors got tired of the losses so now they’re all transitioning to a for profit model instead of the tech

I’m happy to hear that they’ve been looking at the TV series for Highlander considering the main show is the best thing of the franchise.

Snowpiercer will be on Netflix Canada in September.

It says "finished filming", and the Deadline article linked is more precise - the show has been shot, but no post-prod has been done. Also they are shopping it around - which might not lead to anything, granted. 

I think you’ve gotten the wrong take from it. The last line is “Superspeedway racing is a hallmark of the sport, and we should fight to keep it; we just need to ensure we’re doing our utmost to prevent disaster.” which to me shows a continued push for positive safety changes for superspeedway racing from the author. 

No, the point is for higher wages and fair compensation from residuals.

That’s one of the reasons I do a ctrl+F for “shop around” on these articles now. If Disney dropping this show means it has a chance of ending up on a distribution channel that pays better royalties than streaming does, then it seems like a net good to me.

Rebels is canon and it has time travel.

Kotor doesn’t involve the creation of the Sith that event takes place a few hundred maybe a thousand years before Kotor.

Your comparison falls woefully short because you can literally replace a battery in an iPhone and it will be returned to like new runtimes. Not to mention older batteries are typically cheaper as economies of scale and availability of 3rd party replacements come to market.

Moaning about people trying improvements on old ideas to mitigate impacts isn’t doing much either, sweetie. I would say that you’re just as bad as the oil executives wanting things to change, except they want things to stay the same to make money and you don’t want things to change so you can then point an accusatory