Better than pulling it and pretending it didn’t happen.

- Looks like there was one disclaimer they forgot.

Is Wayne Brady going to have to choke a bitch?

Ken Jennings as....Damon Killian.

I approve of the idea that Darcy’s primary source is like Thor drunk dialing her.

D’arcy knows WAY too much about the private details of Infinity War and other movies, and the only way she could is if sometime during the five years Thor drunkenly showed up at her place and told her EVERYTHING and that’s my headcanon now.

I’ve said it before and it’s been said by others but The Prequels were a good story told terribly and The Sequels on the whole (I quite liked The Last Jedi.) were a bad story told really well.

There’s clearly something up with his memory of their childhood, but it does seem to be different from Peter Maximoff’s X-Men backstory as well as Wanda’s MCU backstory. So I’m not sure it’s as simple as him just being X-Men Quicksilver. Plus, Wanda saw his corpse the same way she’d seen Vision’s; that suggests that…

It’s a sign she’s likely being tricked just as much as Vision.

I wonder if Pietro being all supportive of the whole Westview situation is a nod to the House of M story where it was him who convinced Wanda to create the "Mutant utopia" reality they all lived in.

Pietro also offhand calls the the twins “demon spawn” (or something like that), which can either just be an easter egg to their origins in the comics or ominous foreshadowing for the show.

“No! MORE mutants!”

IIRC, there’s an option in Mass Effect 2 to have a one night stand with Jack fairly early in the game, but it’s presented as kind of a shitty thing to do, and it blocks you off from having an actual relationship with her. Not exactly rejection, but an interesting change from Bioware’s usual “say nice things until…

Games need to be better at saying “no” to players in general. It makes for a richer story.

It’s totally worth that price! 

I really wanted it to go out with a nine episode ninth season.

100 episodes and/or 5 years.

Secret Empire (2016). Nick Spencer was incapable of telling this story with any real depth so it just came off as a sort of mealy mouthed meta textual narrative on fascism that Spencer very clearly doesn’t understand.

Good question - what is the worst crossover of the past 10 years?