blastedbiggsjunior
IWASBlastedBiggs
blastedbiggsjunior

Williams looks like the guy you argue prices with on a catalytic converter down at the U Pull It auto parts place...

"Damn, man. You guys are laying it on a bt thick, aren't you? Let up a little!"—Biff Tannen

He kicked ass and took names in his debut in "Arkham Asylum: Living Hell" though.

People don't understand the kind of amazing, ballsy, deconstructive stuff Albert Brooks was doing literally decades ahead of the alt-comics, or even guys like Penn and Teller. Brooks is a genius. There's not a single person in that studio audience who has any idea what the hell is going on up there (despite the

Controlling something that big, that fast, with such precision....all while your body is giving you every sign it possibly can that what you're doing is incredibly stupid, and you should stop immediately before you do something crazy and hurt yourself or somebody else?

In an effort to curb the leaks, the government released a short-lived collection of posters that cut through the cute rhymes and cool sayings, in favor of bland, direct appeals. Such as:

Okay, not bad, though Scorsese doesn't really do 'horror' so much. Besides, with all the freakin' reboots and 'expansion of the movie!' shows, why can't they develop original ideas?? Or hell, if they can't break away from the 'creepy old psych hospital' trope, why not develop a new, original story on some of the MK

With AA's track record, I can't even see it as all that "serious" of a house! But here's the thing:

It could be good, it could be bad... That Martin Scorsese is no slouch. But... are we calling Shutter Island a "horror movie" now? Its built to be a trippy thriller. A mystery. A creepy whodunit, perhaps. Horror film seems to be quite a stretch.

"Haha! That joke NEVAH gets old! Sieg Hank!"—tweet from user "Adolf"

First rule of Bomb Club: Don't talk about Bomb Club.

Poor Aaron Cash. He's getting too old for this shit.

I guess I should remind myself that it could've been a lot worse for me. I got a brain that is much better with words than it is with numbers (and it ain't so good with words, neither). Still, it would've been nice to be able to at least BEGIN to understand the science needed to become an astronaut....

Yeah, that's pretty damn awesome. I mean, this is one of the reasons I wanted to be an astronaut when I was a kid—screaming away from Earth at damn near impossible speeds...seeing SPACE, and the Earth from above....dammit, why'd there have to be so much damn science involved in being an astronaut?!?

Either it's "It's sehhxxy, sehhxxy making-love-to-you time!", or "if I could just puke, I'd feel so much bet....oh, man...here it comes.....here it comes!"....

Holy shit, that looks awesome!! I'd watch Shannon in damn near anything (except a comedy, now that I think about it....doesn't seem to have that lighthearted way about him. General Zod? Just not that funny, really.), and Hoult is one hell of a good, young actor.

The Endor poster reminds me of the essay written a while back, about how the destruction of the Death Star II would result in the genocide of the Ewoks.

I'm sadly starting to realize that there's really nothing that could get me excited about these. I've been burned once too many, from the Star Wars prequels to the Star Trek remakes. Even strong word of mouth wouldn't be convincing at this point.

Why does this film preclude a population problem? Isn't a population problem inherently a use/misuse of natural resources problem as well? I think the apparent scarcity of population/development in the film's setting is directly in line with people making like the Indus (good phrase, btw, officially love it) and

Really? I think the resource is fresh water. Salt water renders land barren, and desalination is expensive, even without the associated costs of infrastructure for distribution/transport that would come with it. And who's to say the film doesn't take place in an area particularly marred by the shortage? I don't