But what will we do while we wait for a new Pokémon game?  

Pokémon Go Plus + (that’s “plus plus”)

Sweet. Can’t wait to pay Niantic money again for this game only to have them arbitrarily ban me for using a phone I rooted for legitimate reasons.

FINALLY, someone understands what this franchise needs!

The writer also mentioned that the movie “proved that there is still a huge market for [Pokémon]” despite Let’s Go selling over 10 million units, Go still being one of the biggest mobile games in the world, and the Gen 7 games have sold over 20 million units. 

Meh,  call me when they introduce Pokémon Wank so I can really level up my Pokémon!

Sooo you mentioned the Detective Pikachu movie in the first sentence, but didn’t even mention that they also announced a sequel to the Detective Pikachu game? Aight.

What this guy said. I am unable to articulate myself as poignantly, but I agree with everything you said.

Thank you. Sublime is almost a litmus test of whether you really listen to music for the quality of it and not just some superficial assessment of the style.

Rarely ever comment, but this one cuts to my core ... so here goes nothing.

As someone who has worked as a music journalist in earnest, the entire industry tends to be a clusterfuck of people far too willing to ape other’s opinions. It’s how you get publications saying bombastic stuff like “The Arcade Fire is the most…

It is, but I don’t even hear those 90s 311 songs that were alternative rock mainstays back in the day. Maybe it’s because 311 is still active? 

This is what I was thinking too. Most rock radio stations I have heard play Sublime daily, and have for the last 15 years as far as I can remember.

And nostalgia+Poptimism is the speedball that devastates communities.

“casual misogyny”

In fairness, it would be peak Pitchfork if they ran a glowing review of it 27 years ago and are only now choosing to shit on it

Nostalgia’s a hell of a drug.

I’m really glad I didn’t learn about Pitchfork’s existence until late in life, they’re like if the New Yorker and “Everything wrong with” videos had a baby in written form.

It’s interesting that Sublime has had much more mainstream staying power than their cornier white guy reggae brothers in arms, 311. I still hear Sublime songs on the radio frequently, but I rarely, if ever hear 311 songs anymore.

Pitchfork randomly shitting on an album 27 years later is peak Pitchfork.

So am I allowed to listen to Sublime or not?  The article isn’t clear and I want to make sure I’m legally protected against Pitchfork