aperture56
Aperture56
aperture56

lol, trying to defend this character design as anything other than being horny is absolutely absurd. She’s an assassin...I highly doubt she’d want her boobs bouncing around without any support while out on a tactical mission. She has stockings on her legs (which is about 20% of the epidermis) and she wears an arm

kinda unreasonable to expect someone to invest 100hrs+ to really understand something.  Good games hook you in the first couple minutes. If a game can’t do that, it doesn’t mean it’s bad, it just means it’s not the most effective.

masterbate.ing

Says who? The device is intended for Pentesting (penetration testing).

While old analogue antennas could relied about to work in some capacity...

Where in this did they recommend or endorse nefarious activity?

I love live theatre...that’s where I cut my teeth, but I really don’t understand the film to live theatre adaptation...unless, is this going to be a musical adaptation? That seems to be the only allure of the live adaptation - seeing people sing live.  The shows being based on an existing IP is just an easy way to get

We see the same thing with movies. They use the tentpole model to support their studios. You make one big movie (or game) a year where you pour the majority of your production and advertising resources into and by sheer volume of the talent involved and breadth of the marketing campaign you’re almost guaranteed enough

That’s expensive, and doesn’t usually look good. They’re young enough, it can mostly be done with make-up. I think the biggest problem is their bodies are just physically bigger.

It’s a bit of a realism and tension problem. Every season has been set up kind of like a boss battle, and each season they’re like, “THIS IS THE CRAZIEST THING WE’VE EVER SEEN!” If every season it’s always the next craziest thing, it’s starts to lose weight since the characters are always able to overcome the

Precisely. Without the death, it really doesn’t differentiate itself from any other elimination style reality competition. I’m still interested, but without death being on the line, it’s really not much different than something like Big Brother or Ninja Warrior. At least with something like Big Brother there’s a true

-Arnold Schoenberg

The show as a whole has at least 4 listed Executive producers.  Individual episodes have 5 or more producers listed. That’s also not to mention any and all executives at Netflix who would have say over how the show is made. Just because it’s Brooker’s show, doesn’t mean other people can’t influence how he chooses to

Well, this must be pretty embarassing for you. There are at least a total of 4 Executive Producers listed for Black Mirror. Episodes like “Hang the DJ” have 5 or more Producers listed. And that’s not to mention executives at Netflix who have control over everything. It’s almost as if there are people who could

I don’t really disagree with that, but if Brooker is trying to claim that it never was about those things, I was trying to find a common thread that was missing from the Netflix seasons which also lived outside of Brooker’s definition of what the show is or isn’t.

Bruh...you know there’s more than one Producer on projects...right? The money and the green light has to come from somewhere.

I don’t know what’s so edgy about my comment, but I appreciate you acknowledging that it is educated.

That’s not what I’m saying at all. I’m saying it’s antithetical to the original conceit of Black Mirror and what made it so appealing. Brooker says he brightened up the show to appeal to a wider audience. My argument is that making the content brighter and/or more palatable misses the real point on why people say the

huh?

I have no idea what this has to do with my comment. I was merely talking about studios and otherwise wealthy organizations producing work that is a self critique. See media like: 30 Rock, Sunset Boulevard, Tropic Thunder, and Sullivan’s Travels. It’s the Simpson’s making jokes about Fox on their own network.