I don’t think you get how money works. The $15 or whatever you pay for a ticket doesn’t all go to the studio. Less than half does, and even less than that internationally.

Um...

The Tale shouldn’t be on the list, but only because it’s a film, and it’s in my Top 10 films of the year.

Yeah, I’ll buy that.

Hey Riddle Riddle is so much fun. And probably the most catchy theme song in all of podcasts.

I don’t know if I can take Thomas Middleditch seriously as a talking-to-Congress guy. I hope he gets to be funny at some point.

If you haven’t read Latoya’s Blindspot piece, it’s well worth it.

There’s been a lot of rumours that she and Chibnall are both leaving after the next season.

I watched Hulu’s Future Man this week, and it was kind of odd seeing a pre-breakout Awkwafina in a minor role as part of a double-act with Paul Scheer.

I've never seen that episode, but yes it is. 

I loved how they subverted their whole “everyone has a tragic, misunderstood, origin story” thing with her just being awful from the start.

I’m glad Sarah Silverman got a nomination for Ralph Breaks the Internet. I was surprised to see Charlyne Yi in there for straight-to-Netflix robot movie Next Gen, and I wasn’t that impressed with Eddie Redmayne in First Man or Bryan Cranston in Isle of Dogs. Holly Hunter in Incredibles 2 was great too though.

Hey, it’s Oliver Whitney! Love your writing, hoping you get to do more in-depth articles than this here.

A minor (now dead) Riverdale character showed up in an episode of Sabrina. I think Sabrina is set in 2017.

It’s just the second half of S1. They’re doing 20 episodes a year, like a real TV show!

Echoing my comment on her co-writing the new Clea DuVall movie, Mary Holland deserves to be playing lead roles, and not just endless girlfriend/wife/assistant roles she’s mostly been stuck with it.

Mary Holland Forever.

There’s a Dredd show in the works, but no word on cast. Urban has said he’s interested, but that doesn’t mean much.

You have to go back to John Boorman’s 1981 Excalibur to find a truly popular big-screen depiction of King Arthur.

She’s the right age for the real woman (born in 1932), but Viggo’s playing about 25 years younger than the real guy (born in 1930).