anitaohyay
AnitaOhYay
anitaohyay

sometimes I randomly hum the theme song to myself... ‘hoooo oooh ooh oooooh, ooOOO oooooh...!’

oh god... we’ve stepped entirely into a 30 rock alternate universe

I love this movie. Everyone is a gem.

I’m reasonably confident that no sensible person thinks Something’s Gotta Give is meant to be representative of the average American lifestyle.  It’s ok to sometimes consume media about rich people.

I’d watch an 8-hour HBO miniseries of Diane Keaton and Frances MacDormand hanging out in a beautiful kitchen with wine.

“I’m not racist, I’m just a fucking idiot. Vote for me!”

“Like many folks in my middle-age group, I learned the very hard lesson to never allow anyone access to social media accounts or passwords,” Howze told Politico in a statement.

Gillian Anderson was SOOOOO incredible on it. I know a lot of people thought her performance was too mannered but I adored it.

Raul Esparza is a RIOT. He’s so perfect in his pouty ambitions.

Also: Mads Mikkelsen 

And Caroline Dhavernas! She was so amazing on ‘Wonderfalls’ (another Fuller project) and I was always surprised her career never skyrocketed. It was nice to see her in a TV show again. 

How the actual fuck did you get to interview Luke Wilson about a bunch of roles and not talk about his guest spot on The X-Files? 

Who the hell thought this series was a good idea?

Don’t glorify or give these shitheads attention. Some of us are trying to not die.

Now playing

I love love love Fernwood 2 Night. Besides being just so damn great, it introduced me to Tom Waits (though I didn’t learn that the song wasn’t a bit until about six years later).

It’s a vicious circle.

I’ve always loved this one:

So....he’s threatening to move Tesla away from California, so everyone who works there can lose their jobs, if he doesn’t get his way?

The interesting thing about that line is that it was originally delivered by John Randolph who played the character completely differently. When he said that line it didn’t stick out at all. They later rerecorded the scenes with Jerry Stiller and his take was 180 degrees differently. I just so happened to have watched