amorpha1
amorpha
amorpha1

Pennywise takes care of him early on in the film, so it’s okay to have forgotten.

The first season of What If...? was maybe my least favorite MCU project until Secret Invasion, but this trailer looks pretty good. Honestly, it was mostly a problem of it being Marvel’s first animated work, and it seeming very much like that. Maybe they’ve got a bit more experience this time around.

I’ll applaud any time Congress gets off its collective ass to do anything that isn’t blatantly self-serving and/or detrimental to the country as a whole, so let’s just call this one a win.

“But doesn’t ‘tithe’ mean ‘tenth’, as in 10%?”
“BURN THE HERETIC!!”

You know what? Fucking awesome. I know there are bigger problems in the world, but this shouldn’t have been one of them in the first place. Fuck Zaslav.

Wait a second, I thought that capitalism was supposed to make everything work optimally. Was that ... propaganda?

In case this site’s comment section (or the AV Club as a whole) doesn’t make it to 2024: It was an honor shitposting with you all on this continually sinking ship. We were the band on the Titanic, playing an infinite loop of Yakety Sax.

“He’ll continue to be strangled—[if] you want to use that awful term for it.”

Next we’re going to hear about how it’s totally cool to consume large amounts of belladonna because it’s “organic,” but don’t touch LSD because it’s a “highly-processed chemical!”

it’s genuinely embarrassing that Rolling Stone gave these weirdos an article at all. They saw the “Catch me outside, how bow dat” girl make an insane amount of money off of perverts and thought they could probably do the same. 

Loki’s arc and Cap’s arc are sort of the pinnacle of MCU storytelling for me. And it’s not surprise that both characters had more growth and covered a larger span of time (or space, or both) than many of the other MCU characters. To me, those two characters were the strongest from that initial crop of MCU stories, so

I had the absolute pleasure of seeing Hiddleston on Broadway in Pinter’s Betrayal in late 2019 (the last show I saw before covid shut the world down, but I digress). In a production that shone for so many reasons—the direction and staging were impeccable—Hiddleston stood out. On stage, he had a magnetic quality you

Hiddleston is too good of an actor to remain in the role of Loki forever, and the end of the TV show is an exceptionally fitting finale for him and the character he’s made his own.

A couple of things:

Like they say on The Flintstones, it’s a living! 

Hiddleston’s “Don’t set the multiplier down because it WILL roll off...” had all the barely-concealed exhaustion of a parent who REALLY wants to yell at his kid, but he’s in public in front of other parents and can only half smile as he whisper-screams at the kid who keeps making the same mistake. Perfection.

“It’s weird how Variety says the Loki finale was freaking out Marvel because it painted them into a corner concerning Kang.”

Now that was a damn good finale.

It confused me too. From what I can tell by reading a couple of the articles about it, his production company was found liable. It looks like the court allowed an agency jury instruction opening the door for the jury to find De Niro’s girlfriend was an agent of the corporation. It seems like there was a lot of

I’m not a huge fan of Jezebel personally, but I still hope they can reform (like Voltron!) into an independent site of some kind, the way the Kotaku and Escapist exodees launched Aftermath and Second Wind this last week. Mainly just to spite Spanfeller, who is a pile of shit.