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Every year goes like this for me: I watch the first episode of the season, and after that every week I go "maybe I'll catch up today? Nah…." Then one day the will just comes and I watch everything at once. It's a miracle I haven't given up on the show for good yet.

Everything is not awesome
Everything is not cool when it's a Hollywood's scheme
Everything is not awesome
When you're a victim of old executives' means

I was thinking exactly that. I like that episode, and Girls, but c'mon guys, really? It might be a great episode for the show, but compared to 25 years of sitcoms? Specially for an episode that is more poignant than funny?

Jeremy Renner, don't you have an Avengers movie to film? Stop procrastinating on the internet.

Sigh, can't we all just get beyond thunderdome?

I'm watching every episode of MST3K in order, one episode a day or so. I'm already halfway through season 1.

That was my first guess as well, glad it wasn't random.

And that, kids, is how American TV became better than its cinema.
Seriously tho, I don't know about Citizenfour, but in my country Boyhood was rated 14 (that means allowed over 14, or 12 with parents). Felt very appropriate. The MPAA sucks major balls.

Seems pretty standard right-wing religious person to me. I'll never agree with this stance on morality, but there's nothing exaggerated or offensive in it.

The Pumaman, Hobgoblins, Overdrawn at the Memory Bank, Merlin's Shop of Mystical Wonders, Time Chasers

Sketches were damaged by Sci-Fi's weird obsession with having a plot related to them. Pearl's bits greatly suffered because of that.

I couldn't see Col. Cox without feeling pity of him, even tho that was a carry over from Duck Phillips. Mad Men did such a great job making me few sorry AND spiteful for that character, I don't think I can take Mark Moses seriously on anything ever again.

About homosexuality, I think it's hard to hold any show responsible for that, because they not only have to match expectations about its specific era, but also about today. It was also common to be really racist back then, but you wouldn't show that heavily on a major character because you'd be risking alienating the

That hole was filled by Masters of Sex, for me. Manhattan really isn't that similar in tone to Mad Men. It's a great show, but for different reasons.

That's the one issue I have about the show: it's really anachronistic. The writers make efforts to make it factually correct, but characters often act like people from 40 years later, like they were transplanted there. It's a clear case of "writing what you know about". It isn't a big problem tho, and it doesn't

Not accusing you of anything - also not saying you're doing anything wrong - but I get so tired of this "fast-forwarding", like, can't straight guys see this for some reason? I never felt the urge to fast-forward straight sex, or lesbian sex for that matter. What's so boring or creepy about it, or is this some sort of

That was soooo not my interpretation of his freak out after the guy jumped. He started feeling bad when the guy's boss talked about abandonment, which in that guy's case implies being thrown out of the house by homophobic parents. Connor clearly sympathized with him at that moment, and I feel like he started realizing

I want a look-in with Jeffrey Tambor…'s dress
I have some weird thoughts

Pixies' "Debaser" or Japandroids' "The Nights of Wine and Roses".

Even in a lot of non English-speaking countries he's Wally. America had to be the oh-so special one.