I bet Phil Simms would read it straight off of a cue sheet (all of which, I presume, are written out phonetically).

Love me some revisionist westerns; The Good, The Bad and The Ugly is one of my all-time favorite movies, and I particularly enjoy High Plains Drifter (saw that one scored by a live band; it worked well, possibly even better, without the dialogue).

+10 Nick Sabans

Drew wouldn’t wear that shirt because you can’t get it at Target.

I know, right? What kind of grad school reject writes like that?

Clearly, you are an Arby’s man!

Oh god, that is just beautiful. +1

+1 magic bubbles

Unlike many around here, I’m agnostic on Joe Buck. OTOH, fuck Harold Reynolds with a pointy stick.

Why should they cut him when they can trade him back to Dallas for a Pepsi machine and an overnight security guard to be named later?

Stop trying to suck up to Deadspin’s corporate sponsors, it’s as unseemly as a short-sleeved dress shirt.

Okay there Sipowicz

Serious question: what would it take for the Colts cut bait and declare (in advance of the obvious forthcoming firings of the entire coaching and front-office staffs) that Luck is too injured to play the rest of the season? Are they going to keep this going because the AFC South is so horrendously bad that they want…

1. Oh god yes, let this happen - I want to bathe in salty warm Patriots fans’ tears.

(Awkward two-second pause)

“They hate us cuz they anus”

My older brother did the same at the party that we had in lieu of a true reception, though in his defense that was 1. well into the early morning hours, and 2. after my wife had given him and my other brother and my friends our bottle of tequila...

Passing out in a stadium was your top five embarrassing drunken moments???

Fairly certain the Tech fans could have used that Cleenex for about 20 seconds last night...

Actually, as a huge Yes fan myself, Drama is one of my favorite albums and Machine Messiah is one of my favorite tracks. His production work on that album is also phenomenal; it’s possibly the best production on an album with the Yes name on it.