Finally, someone who agrees with me on this. There was no emotional payoff in seeing people who'd loved each other for six years fight for like two weeks and then be friends again.

Just gals being pals!

I can't stop smirking at the fact that Michael Pitt decided to Michael Pitt all over the set in his usual fashion, apparently not considering that this was like the easiest role in the world to recast after his first season.

Not for nothing, but the Biblical definition of Satan is charming.

They're just thugs, brutes and heavies in goon hats!

Ha, "go."

[Robert Durst crashes through the window, hands on hips, wearing a cape made of human skin]

In his defense, he's not legitimately trying to run for president, he's trying to promote his stupid show, which this development will complicate.

Aw, bless the absolute hell out of your heart.

She only does Joy? My God, there's Inside Out rule 34 already?

No, tragically. Totally owned Inside Amy Schumer this year though.

She could so easily have been the kind of character male writers write out of a desire to have a Strong Female Character—a generic Tough Chick who has contempt for femininity and says things like "man up"—and I'm really happy that isn't where she's gone thus far.

My geode must be acknowledged.

The Bridge had also been building that world in its first season when the serial killer plot wasn't yanking it away so it wasn't faced with the prospect of introducing it, just fleshing it out.

Given House of Cards' habit of collecting the few Deadwood alumni who never showed up on either Justified or SoA, I still say they should cast him as a David Cameron expy.

[Popeye theme]

All I could think of was the last scene of "Frank."

And for three easy payments, he can show you how!

I like to imagine she and Elena McNulty meet up somewhere for really strong drinks.

It's not as though Frank is some irredeemably monstrous character (yet) without it. Audiences have been sympathizing with gangsters trying to cash out and go straight for generations.