Thank you. Nobody ever seems to mention that. Sometimes I wonder if I'm the only (not quite) human on earth who remembers those movies.

Just wait 'til they show you their ascots.

Correction: Romney, Kelly and Steve Doocy, all snuggled into the warm embrace of Roger Ailes.

I was genuinely relieved, because I've actually had an idea for exactly such a movie brewing in my head. The difference being that instead of a Guest-style mockumentary, it would be more like Man Bites Dog.

I caught Shillue on Red Eye out of the blue the other week, not having known he'd taken over that bitchy shitshow. I'd never watch the show otherwise, but I happened to flip around just in time to see his mopey face and think "Hey, that's fuckin' Shillue! What the hell is he doing on this atrocity?" The saddest moment…

Oh (bitch), you are in for a treat. It only gets better from there.

Eleven, Twelve… I forget what rhymes with "twelve." Delve?

I swear, on the sacred grave of The Dissolve, I will beat the life out of you with your own magical remote control.

Aw, bitch.

"5, 6 — Will it sell tix in the sticks?"
- Variety

He's a solid comedic actor! Give him a fourth chance, moviegoing Americans!

You mean gank my own copy of the raw footage? Or set that piece of shit movie on fire?

Hollywood Reporter's "Bottom Line":
More like the Unfantastic Four.

It's still Matt Damon in the URL. Ho ho ho, chaos reigns.

No doubt we could go back and forth on interpretations of the lyrics, and maybe only find a little bit of common ground. But I should probably take the rational option to not exhaust myself over your perfectly reasonable assessments, and go on living.

"Common People" is definitely not regarded as a bad song. It's kind of a college radio classic (although it always seemed overrated to me). I remember when this cover came out, there were some heated debates on whether Shatner's take "improved" or "ruined" the song.

Always and forever, William Shatner will be immanently more interesting and enjoyable than Henry Rollins.

Also: "What Have You Done." Everything that album could and should be can be heard on a track utterly devoid of song or instrumentation. Just the man talking.

I am right because anything where Henry Rollins inflicts himself upon the audience with the unjustified notion that he is interesting or worth heeding must be, by its very nature, insufferable.

I was gonna say, it seemed like they cannibalized the eeriness and Keaton's performance from the "Playhouse" sketch and cobbled together the far superior "Easter" bit in its place.