Alas, it's really hard to strike terror into the heart of another plant.

Looks like Kane is doing the one in the center of the top picture-chart (so, A2, I believe?)

A good/bad thing about jumping into Fringe partway through is that the general paradigm of the show at the start of one season bears little resemblance to the paradigm of the show at the end of that season.

Were I to have control over something like this, I'd think it'd work best to have it set up like the best way I've found to run the various Doctor Who tabletop RPGs; Namely, the players' characters are 51st Century Earth Time Cops. You have access to time travel, but it's not (currently) being used fecklessly, and…

They're elegant armaments of a more civilized time (un-semi-quote).

[en.wikipedia.org]

What I wish he touched on was -why- transparent things have a larger energy gap than opaque things.

Was it established if Walter snuffed the other vials of retro-DNA plot-mover-onner whatever (after the chimp one)?

I agree with you that I hope that "Love saves the day!" isn't the crux of any series-arc, here; I get enough of that with relatively recent Doctor Who.

And the fact that, if she'd inserted a good reason for why the robots were meddling with history to throw a basketball at the Duke's head, this could be a broad-strokes version of an actual episode.

I look forward to her comments on Girl in the Fireplace.

It certainly needs more bass to the music.

Can we also make Injun Joe an alien?

I would totally support a two-book set, with the robotified Huck Finn and the robotless I, Robot.

Or that ravens are just a Victorian conspiracy.

Try Winterbeast (viz: [www.imdb.com] ).

My largest complaint about the chemtrail "reporters" is that apparently, the (possibly only) way to tell a chemtrail from a contrail is that chemtrails last longer in the sky.

I was thinking more Asgard beaming technology effects.

I second this motion!

Easiest way I've found is to right-click on the Expand bit in the corner, then open in new tab.