It says so much about yourself that you’re jumping to his defense.

Take a seat, you fucking weirdo.

Yes, it’s earnest and fun and incredibly ambitious.

Nah.

I know all the BPO plotting is a mess, but damn. I just don’t care. I was straight-up sobbing by the time the credits were rolling.

No, he can fuck right off.

He really should have been blacklisted entirely for that assault.

He’s very handsome.

Cool. OK. Fine. You’re not a “bad guy” for liking it, but you are a very Prince Ruprecht for needing that assurance.

You’re extrapolating a LOT from me pointing out that Trevorrow didn’t deserve such a crazy boost.

Having seen both episodes, you’re absolutely right. The show starts and ends with Tandy and Tyrone, and they are both drawn so well.

The more I read your comment, the more it reeks of “we allowed ONE BLACK FEMALE to direct a potential blockbuster; it didn’t work out, so that’s the end of that”

Can we start a petition for Drag Race to never, ever edit the show to make it seem like a queen and her duplicate are in the same room. That was awful for a reality show. This isn’t fucking Orphan Black, RuPaul.

I mean, the scene with Ru acting with her “twin” ... what exactly were the queens reacting to in the work…

Man, if I never hear the word “saboteur” ever again...

.... Ok?

Maybe calm the fuck down?

Kenan has been at the top of his game the last few seasons. I don’t see any sense in him leaving (unless he wants to).

That show is so much better than it has any right to be. I wish more people were aware of it. It’s SO GOOD.

Trevorrow being rewarded Jurassic World and Josh Trank getting Fantastic Four are absolutely baffling Hollywood decisions.

I mean, Haywire only exists because Soderbergh saw Gina Carano on TV and decided to create a movie around her, and I really liked it, so I suppose my original post isn’t always true.