“Ghostbusters 2016"

Joke-human literally can’t help himself, and then when that is pointed out, says dumb reactive stream of consciousness things, then just starts sputtering and foaming and screaming like a 5 year old. Day ending in Y, etc. 

The streaming service that makes Freevee look like Crackle.

Yeah, it’s way more likely that liberals would be angry about a show with 4 females leads than anti-woke chuds like you. /s

if the Golden Girls aired today you’d call it identity-obsessed woke trash. rue mclanahan would mention her sexual agency and you’d start bleeding from your eyes

Massive Venture Bros fan here - agreed.

John Oliver’s tale of bombing in Edinburgh had me crying.

And now you know the rest of the story.

This. It seems really difficult for some people to wrap their heads around how creatives love what they do so much, many are just happy to be able to do it at all, much less be compensated for it, and how that can push artists to undervalue their skills and talent. It’s easy to say all these years later, “wElL yOu…

It’s not unusual for actors to be abused, nor is it unusual for promises of a share of the profits to come to nothing due to shady accounting practices, nor is it unusual for non-union contracts to include rights to the actors’ names and likenesses in perpetuity, but this really stood out to me from the Variety…

And worse.

You’ll be given cushy jobs!

We’ve known about the possible prequel since Fury Road itself. If we’re gonna play the game of pretending to know the demands of fandom, I’ll go ahead and state that *I* and everyone I know who saw Fury Road were looking forward to this and were disappointed that it took so long. The development time was a bummer. I…

Going back to my youth, the Onion had a story that stuck with me headlined

But it’s the Simpsons’ writers’ job to be repetitive. Their job. Being repetitive is their job.

My two cents, feel free to debate: I feel like the relatively tepid critical reception (I do not care about box office) of Pixar’s last several years’ worth of original films (as opposed to sequels) is because their blend of whimsy and deep emotion (with stellar writing, plotting, and casting) was pretty amazing for a…

“But I still like a real man.” Are we sure this isn’t Seinfeld’s coming out story?

Nobody has any money to spare because we spend it all on rent and maybe groceries if we’ve anything left over. And nobody has any free time, because we’re spending it all working to pay for rent and maybe some groceries, and maybe getting four or five hours sleep if we’re lucky.

Last year, it was Barbenheimer. The year before, it was Top Gun: Maverick. And I’m sure this summer will see a big breakout hit or two. But for movie theaters, it matters less whether the public can be convinced to see movies they’re really, really excited about (they can) and more whether people see moviegoing as…

...and that little boy whom nobody liked grew up to be... Roy Cohn.